Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
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Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
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This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Nathan Fake’s first album in three years is a heady whirligig of eldritch emotions swept up in wonky techno and clipped breakbeat with his signature, East Anglian accented electronic melancholic loopiness.
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."
"‘Blizzards’ is a return to a clubbier sound, whilst keeping the melodic depth and rewarding narratives that have entranced his fans worldwide since his early records on Border Community and his seminal track ‘The Sky Was Pink’. Using a similar setup to his slamming live show, the album’s track were mostly recorded in one take with a deliberately limited hardware selection."