Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?
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Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?
Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?
Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?
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Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?
Out of Stock
Nathan Fake's sixth album is a celebration of vintage IDM and electro that features a guest appearance from Warp's very own Clark. RIYL AFX, Squarepusher, The Orb.
We're not sure exactly why, but Artificial Intelligence-era sounds are creeping towards the spotlight again. Only a few months ago Daniel Avery's "Ultra Truth" attempted to cast our minds back to the mid-'90s, and now Nathan Fake is on one with"Crystal Vision". He approximates Richard D. James' zonked analog electro on 'Vimana', driving it thru modern distortion plug-ins before detoxifying things with an arpeggiated synth that may as well have been snatched from The Orb's 'Little Fluffy Clouds'. 'Boss Core' had us thinking that Fake might have leaned into tech house instead, but by the middle section those tear-sodden chords are back and we're in 1992 Autechre territory.
The title track's a bit more solid, bravely taking a trip to the continent and ripping from Arovane's "Tides" instead of the Warp set, and ion 'Bibled' Fake even drops in an amen break and some xenharmonic synths to remind us he's listened to not just Squarepusher, but Aleksi Perälä too. Didn't we do this already?