New on Shelter Press; endless* piano and tape loop variations by Australian composer and multi-disciplinary artist, Lisa Lerkenfeldt; "An unfolding fantasy through the field of time.” (*not literally endless, like, 40 mins).
We know, we know, "ambient" piano music has been lacking gas since long before Spotify-sponsored neo-bourgeois chill-out terror cells got anywhere near The BBC Proms, but hear us out. Influenced by key-gaze OG and prominent Cocteau Twins collaborator Harold Budd, Aussie composer Lisa Lerkenfeldt offers here an ivory hued fever dream - an endless piano and tape loop variation for isolated states.
"A Liquor Of Daisies" was written for three pianos, suggested as a proposal for "multiple players and machines" and dedicated to a plant: Melbourne's Xerochrysum Viscosum, the everlasting daisy. And while not much happens in almost forty minutes, it offers a much-needed glacial foil to the rapid-fire news cycle and infinite doomscroll. Slow, saturated piano tones gently toss and turn, marinating in their own hazy reverb trails. The duration and repetition pinpoints a feeling of anti-social distance and of reflection and meditation as the world contorts itself around us. Radical softness? Sure. Fans of Akira Rabelais' frosty "Eisoptrophobia" should investigate immediately.
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New on Shelter Press; endless* piano and tape loop variations by Australian composer and multi-disciplinary artist, Lisa Lerkenfeldt; "An unfolding fantasy through the field of time.” (*not literally endless, like, 40 mins).
We know, we know, "ambient" piano music has been lacking gas since long before Spotify-sponsored neo-bourgeois chill-out terror cells got anywhere near The BBC Proms, but hear us out. Influenced by key-gaze OG and prominent Cocteau Twins collaborator Harold Budd, Aussie composer Lisa Lerkenfeldt offers here an ivory hued fever dream - an endless piano and tape loop variation for isolated states.
"A Liquor Of Daisies" was written for three pianos, suggested as a proposal for "multiple players and machines" and dedicated to a plant: Melbourne's Xerochrysum Viscosum, the everlasting daisy. And while not much happens in almost forty minutes, it offers a much-needed glacial foil to the rapid-fire news cycle and infinite doomscroll. Slow, saturated piano tones gently toss and turn, marinating in their own hazy reverb trails. The duration and repetition pinpoints a feeling of anti-social distance and of reflection and meditation as the world contorts itself around us. Radical softness? Sure. Fans of Akira Rabelais' frosty "Eisoptrophobia" should investigate immediately.
New on Shelter Press; endless* piano and tape loop variations by Australian composer and multi-disciplinary artist, Lisa Lerkenfeldt; "An unfolding fantasy through the field of time.” (*not literally endless, like, 40 mins).
We know, we know, "ambient" piano music has been lacking gas since long before Spotify-sponsored neo-bourgeois chill-out terror cells got anywhere near The BBC Proms, but hear us out. Influenced by key-gaze OG and prominent Cocteau Twins collaborator Harold Budd, Aussie composer Lisa Lerkenfeldt offers here an ivory hued fever dream - an endless piano and tape loop variation for isolated states.
"A Liquor Of Daisies" was written for three pianos, suggested as a proposal for "multiple players and machines" and dedicated to a plant: Melbourne's Xerochrysum Viscosum, the everlasting daisy. And while not much happens in almost forty minutes, it offers a much-needed glacial foil to the rapid-fire news cycle and infinite doomscroll. Slow, saturated piano tones gently toss and turn, marinating in their own hazy reverb trails. The duration and repetition pinpoints a feeling of anti-social distance and of reflection and meditation as the world contorts itself around us. Radical softness? Sure. Fans of Akira Rabelais' frosty "Eisoptrophobia" should investigate immediately.
New on Shelter Press; endless* piano and tape loop variations by Australian composer and multi-disciplinary artist, Lisa Lerkenfeldt; "An unfolding fantasy through the field of time.” (*not literally endless, like, 40 mins).
We know, we know, "ambient" piano music has been lacking gas since long before Spotify-sponsored neo-bourgeois chill-out terror cells got anywhere near The BBC Proms, but hear us out. Influenced by key-gaze OG and prominent Cocteau Twins collaborator Harold Budd, Aussie composer Lisa Lerkenfeldt offers here an ivory hued fever dream - an endless piano and tape loop variation for isolated states.
"A Liquor Of Daisies" was written for three pianos, suggested as a proposal for "multiple players and machines" and dedicated to a plant: Melbourne's Xerochrysum Viscosum, the everlasting daisy. And while not much happens in almost forty minutes, it offers a much-needed glacial foil to the rapid-fire news cycle and infinite doomscroll. Slow, saturated piano tones gently toss and turn, marinating in their own hazy reverb trails. The duration and repetition pinpoints a feeling of anti-social distance and of reflection and meditation as the world contorts itself around us. Radical softness? Sure. Fans of Akira Rabelais' frosty "Eisoptrophobia" should investigate immediately.
Limited edition cassette - 200 copies. C80 - produbbed pale pink tape. Content repeats on both sides, with an instant download dropped to your account.
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New on Shelter Press; endless* piano and tape loop variations by Australian composer and multi-disciplinary artist, Lisa Lerkenfeldt; "An unfolding fantasy through the field of time.” (*not literally endless, like, 40 mins).
We know, we know, "ambient" piano music has been lacking gas since long before Spotify-sponsored neo-bourgeois chill-out terror cells got anywhere near The BBC Proms, but hear us out. Influenced by key-gaze OG and prominent Cocteau Twins collaborator Harold Budd, Aussie composer Lisa Lerkenfeldt offers here an ivory hued fever dream - an endless piano and tape loop variation for isolated states.
"A Liquor Of Daisies" was written for three pianos, suggested as a proposal for "multiple players and machines" and dedicated to a plant: Melbourne's Xerochrysum Viscosum, the everlasting daisy. And while not much happens in almost forty minutes, it offers a much-needed glacial foil to the rapid-fire news cycle and infinite doomscroll. Slow, saturated piano tones gently toss and turn, marinating in their own hazy reverb trails. The duration and repetition pinpoints a feeling of anti-social distance and of reflection and meditation as the world contorts itself around us. Radical softness? Sure. Fans of Akira Rabelais' frosty "Eisoptrophobia" should investigate immediately.