Divine solo piano vignettes by Lisa Lerkenfeldt, drifting from lucidity to eyes-shut lushness on a follow-up to her 2020 releases for the ever reliable Shelter Press.
In a touch sensitive play of minimalist contrasts on piano and tape, Lerkenfeldt makes a virtue of simplicity with heart-rending elegance. ‘With water up to her knees’ is a call and response between her gentle gestures and their taped echoes unfolding in languorous ellipses with a play it again and again quality.
The flipside’s ‘Before hey were clouds’ ups the intensity through an alternate strategy of reiterated occlusion, the clarity of the first piece giving way to a spatialised sway of acoustic refractions that can’t help but beckon eyes closed to best allow her tonal colours to glitter like stars on the lid, only for the dream to extinguish far too soon. Best rinse and repeat.
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Divine solo piano vignettes by Lisa Lerkenfeldt, drifting from lucidity to eyes-shut lushness on a follow-up to her 2020 releases for the ever reliable Shelter Press.
In a touch sensitive play of minimalist contrasts on piano and tape, Lerkenfeldt makes a virtue of simplicity with heart-rending elegance. ‘With water up to her knees’ is a call and response between her gentle gestures and their taped echoes unfolding in languorous ellipses with a play it again and again quality.
The flipside’s ‘Before hey were clouds’ ups the intensity through an alternate strategy of reiterated occlusion, the clarity of the first piece giving way to a spatialised sway of acoustic refractions that can’t help but beckon eyes closed to best allow her tonal colours to glitter like stars on the lid, only for the dream to extinguish far too soon. Best rinse and repeat.
Divine solo piano vignettes by Lisa Lerkenfeldt, drifting from lucidity to eyes-shut lushness on a follow-up to her 2020 releases for the ever reliable Shelter Press.
In a touch sensitive play of minimalist contrasts on piano and tape, Lerkenfeldt makes a virtue of simplicity with heart-rending elegance. ‘With water up to her knees’ is a call and response between her gentle gestures and their taped echoes unfolding in languorous ellipses with a play it again and again quality.
The flipside’s ‘Before hey were clouds’ ups the intensity through an alternate strategy of reiterated occlusion, the clarity of the first piece giving way to a spatialised sway of acoustic refractions that can’t help but beckon eyes closed to best allow her tonal colours to glitter like stars on the lid, only for the dream to extinguish far too soon. Best rinse and repeat.
Divine solo piano vignettes by Lisa Lerkenfeldt, drifting from lucidity to eyes-shut lushness on a follow-up to her 2020 releases for the ever reliable Shelter Press.
In a touch sensitive play of minimalist contrasts on piano and tape, Lerkenfeldt makes a virtue of simplicity with heart-rending elegance. ‘With water up to her knees’ is a call and response between her gentle gestures and their taped echoes unfolding in languorous ellipses with a play it again and again quality.
The flipside’s ‘Before hey were clouds’ ups the intensity through an alternate strategy of reiterated occlusion, the clarity of the first piece giving way to a spatialised sway of acoustic refractions that can’t help but beckon eyes closed to best allow her tonal colours to glitter like stars on the lid, only for the dream to extinguish far too soon. Best rinse and repeat.