Remastered first vinyl edition of a highlight from Muslimgauze’s run of Extreme releases, cherished among the most lavishly layered, immersive in his sprawling body of work.
‘Zul’m’ catches Bryn Jones a decade deep into a catalogue, which already numbered in the dozens by this point. Whilst it’s sometimes hard to see the wood for the trees in his densely packed oeuvre, this one stands out for its sensuous lushness and crisp (rather than fiercely distorted) rhythm programming and arrangements of percussion laid down by guest musicians, Said Nassar on Arabic drums, and Zorawar Singh on indian percussion, with additional lushness attributable to keyboards by Mark Lawrence.
It’s there in the intoxicating swells of drums, stereo-swept strings and bazaar atmosphere to ‘fakir’, concentrated into the electro-dub dread of ‘Curfew, Gaza’, and diffused into hashed-out vapours on ‘Afghan Black’, next to a killer cut of ’92 style rave breaks meshed to hand-played drums in ‘Indian Summer of Benazir Bhutto’, and haunting the spacious mixes of ‘Teheran via Train’ and the heavy procession of ’Shiva Hooks’.
View more
Remastered first vinyl edition of a highlight from Muslimgauze’s run of Extreme releases, cherished among the most lavishly layered, immersive in his sprawling body of work.
‘Zul’m’ catches Bryn Jones a decade deep into a catalogue, which already numbered in the dozens by this point. Whilst it’s sometimes hard to see the wood for the trees in his densely packed oeuvre, this one stands out for its sensuous lushness and crisp (rather than fiercely distorted) rhythm programming and arrangements of percussion laid down by guest musicians, Said Nassar on Arabic drums, and Zorawar Singh on indian percussion, with additional lushness attributable to keyboards by Mark Lawrence.
It’s there in the intoxicating swells of drums, stereo-swept strings and bazaar atmosphere to ‘fakir’, concentrated into the electro-dub dread of ‘Curfew, Gaza’, and diffused into hashed-out vapours on ‘Afghan Black’, next to a killer cut of ’92 style rave breaks meshed to hand-played drums in ‘Indian Summer of Benazir Bhutto’, and haunting the spacious mixes of ‘Teheran via Train’ and the heavy procession of ’Shiva Hooks’.
Remastered first vinyl edition of a highlight from Muslimgauze’s run of Extreme releases, cherished among the most lavishly layered, immersive in his sprawling body of work.
‘Zul’m’ catches Bryn Jones a decade deep into a catalogue, which already numbered in the dozens by this point. Whilst it’s sometimes hard to see the wood for the trees in his densely packed oeuvre, this one stands out for its sensuous lushness and crisp (rather than fiercely distorted) rhythm programming and arrangements of percussion laid down by guest musicians, Said Nassar on Arabic drums, and Zorawar Singh on indian percussion, with additional lushness attributable to keyboards by Mark Lawrence.
It’s there in the intoxicating swells of drums, stereo-swept strings and bazaar atmosphere to ‘fakir’, concentrated into the electro-dub dread of ‘Curfew, Gaza’, and diffused into hashed-out vapours on ‘Afghan Black’, next to a killer cut of ’92 style rave breaks meshed to hand-played drums in ‘Indian Summer of Benazir Bhutto’, and haunting the spacious mixes of ‘Teheran via Train’ and the heavy procession of ’Shiva Hooks’.
2LP in heavy cardboard sleeve with deluxe spot UV finish and inside print
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Remastered first vinyl edition of a highlight from Muslimgauze’s run of Extreme releases, cherished among the most lavishly layered, immersive in his sprawling body of work.
‘Zul’m’ catches Bryn Jones a decade deep into a catalogue, which already numbered in the dozens by this point. Whilst it’s sometimes hard to see the wood for the trees in his densely packed oeuvre, this one stands out for its sensuous lushness and crisp (rather than fiercely distorted) rhythm programming and arrangements of percussion laid down by guest musicians, Said Nassar on Arabic drums, and Zorawar Singh on indian percussion, with additional lushness attributable to keyboards by Mark Lawrence.
It’s there in the intoxicating swells of drums, stereo-swept strings and bazaar atmosphere to ‘fakir’, concentrated into the electro-dub dread of ‘Curfew, Gaza’, and diffused into hashed-out vapours on ‘Afghan Black’, next to a killer cut of ’92 style rave breaks meshed to hand-played drums in ‘Indian Summer of Benazir Bhutto’, and haunting the spacious mixes of ‘Teheran via Train’ and the heavy procession of ’Shiva Hooks’.