Kyoto's Rilla turns in a second EP for SVBKVLT, packaging grimy breakbeat experimentation with noise-fucked deconstructed club variations. Bundled with remixes from Nahash, Bitter Babe and Kadapat.
A few moments into opening track 'Saisei' and we had a moment of clarity - as the tape-saturated voices faded away and the rolling dubstep bass took a backseat, the pacy 2-step growl began to sound just like 'Has It Come To This?' from DJ Scud and I-Sound's epochal illbient tome "Amen Fire". Somehow it's a reference that's cycled back to relevance and sounds directly in line with Rilla's cacophony of deranged noise and subversive low-end. Elsewhere, the Japanese producer drips squelchy, acidic symphonics over clattering beats ('Aoi') and offers a high-NRG club deconstruction ('Kiten'), but excels with final track 'Kiuchi' forming fresh rhythms from the torched embers of slow-mo techno and trap.
Nahash's remix of 'Aoi' gives it a jump-up thrust, and Nick León collaborator Bitter Babe brings the dembow throb out of 'Magatama', but it's Kadapat's remix of 'Kiten' that has us hot and bothered. A polyrhythmic slusher that's all soft power, it's made up of cavernous circuit kicks that roll into the darkness until they're lost completely.
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Kyoto's Rilla turns in a second EP for SVBKVLT, packaging grimy breakbeat experimentation with noise-fucked deconstructed club variations. Bundled with remixes from Nahash, Bitter Babe and Kadapat.
A few moments into opening track 'Saisei' and we had a moment of clarity - as the tape-saturated voices faded away and the rolling dubstep bass took a backseat, the pacy 2-step growl began to sound just like 'Has It Come To This?' from DJ Scud and I-Sound's epochal illbient tome "Amen Fire". Somehow it's a reference that's cycled back to relevance and sounds directly in line with Rilla's cacophony of deranged noise and subversive low-end. Elsewhere, the Japanese producer drips squelchy, acidic symphonics over clattering beats ('Aoi') and offers a high-NRG club deconstruction ('Kiten'), but excels with final track 'Kiuchi' forming fresh rhythms from the torched embers of slow-mo techno and trap.
Nahash's remix of 'Aoi' gives it a jump-up thrust, and Nick León collaborator Bitter Babe brings the dembow throb out of 'Magatama', but it's Kadapat's remix of 'Kiten' that has us hot and bothered. A polyrhythmic slusher that's all soft power, it's made up of cavernous circuit kicks that roll into the darkness until they're lost completely.
Kyoto's Rilla turns in a second EP for SVBKVLT, packaging grimy breakbeat experimentation with noise-fucked deconstructed club variations. Bundled with remixes from Nahash, Bitter Babe and Kadapat.
A few moments into opening track 'Saisei' and we had a moment of clarity - as the tape-saturated voices faded away and the rolling dubstep bass took a backseat, the pacy 2-step growl began to sound just like 'Has It Come To This?' from DJ Scud and I-Sound's epochal illbient tome "Amen Fire". Somehow it's a reference that's cycled back to relevance and sounds directly in line with Rilla's cacophony of deranged noise and subversive low-end. Elsewhere, the Japanese producer drips squelchy, acidic symphonics over clattering beats ('Aoi') and offers a high-NRG club deconstruction ('Kiten'), but excels with final track 'Kiuchi' forming fresh rhythms from the torched embers of slow-mo techno and trap.
Nahash's remix of 'Aoi' gives it a jump-up thrust, and Nick León collaborator Bitter Babe brings the dembow throb out of 'Magatama', but it's Kadapat's remix of 'Kiten' that has us hot and bothered. A polyrhythmic slusher that's all soft power, it's made up of cavernous circuit kicks that roll into the darkness until they're lost completely.
Kyoto's Rilla turns in a second EP for SVBKVLT, packaging grimy breakbeat experimentation with noise-fucked deconstructed club variations. Bundled with remixes from Nahash, Bitter Babe and Kadapat.
A few moments into opening track 'Saisei' and we had a moment of clarity - as the tape-saturated voices faded away and the rolling dubstep bass took a backseat, the pacy 2-step growl began to sound just like 'Has It Come To This?' from DJ Scud and I-Sound's epochal illbient tome "Amen Fire". Somehow it's a reference that's cycled back to relevance and sounds directly in line with Rilla's cacophony of deranged noise and subversive low-end. Elsewhere, the Japanese producer drips squelchy, acidic symphonics over clattering beats ('Aoi') and offers a high-NRG club deconstruction ('Kiten'), but excels with final track 'Kiuchi' forming fresh rhythms from the torched embers of slow-mo techno and trap.
Nahash's remix of 'Aoi' gives it a jump-up thrust, and Nick León collaborator Bitter Babe brings the dembow throb out of 'Magatama', but it's Kadapat's remix of 'Kiten' that has us hot and bothered. A polyrhythmic slusher that's all soft power, it's made up of cavernous circuit kicks that roll into the darkness until they're lost completely.