Killer album of glowering drone and clanking percussion from Martin Maischen aka Goner.
Flanked by noise-cellist Unter Lala and Mark Godwin (a musician/sound engineer whose discography includes work with Coil), Yogascum feels like a ghosted, atrophied and entropic versioning of hard-edged dancefloor sounds chanelled through the darkest recesses of your mind.
Over the first extended side he explores peripheral deep and complex drone works, plumbing a space somewhere between Mohammad’s deathly invocations and the dense dankness of Rainforest Spiritual Enslavement with a combination of greazy, slyding pitches, peripheral tones and dense electronic oscillations roiled in vast electro-acoustic space.
The other side, however, is given to beat driven structures, with YS 2 involving Mark Godwin on a clanking, ritualistic rhythm that sounds like it managed to escape from Coil’s latter-day archive, whilst also recalling his work as ZK for Skam, whereas Endtitle catches Goner solo on a dense rhythmic tip.
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Killer album of glowering drone and clanking percussion from Martin Maischen aka Goner.
Flanked by noise-cellist Unter Lala and Mark Godwin (a musician/sound engineer whose discography includes work with Coil), Yogascum feels like a ghosted, atrophied and entropic versioning of hard-edged dancefloor sounds chanelled through the darkest recesses of your mind.
Over the first extended side he explores peripheral deep and complex drone works, plumbing a space somewhere between Mohammad’s deathly invocations and the dense dankness of Rainforest Spiritual Enslavement with a combination of greazy, slyding pitches, peripheral tones and dense electronic oscillations roiled in vast electro-acoustic space.
The other side, however, is given to beat driven structures, with YS 2 involving Mark Godwin on a clanking, ritualistic rhythm that sounds like it managed to escape from Coil’s latter-day archive, whilst also recalling his work as ZK for Skam, whereas Endtitle catches Goner solo on a dense rhythmic tip.
Killer album of glowering drone and clanking percussion from Martin Maischen aka Goner.
Flanked by noise-cellist Unter Lala and Mark Godwin (a musician/sound engineer whose discography includes work with Coil), Yogascum feels like a ghosted, atrophied and entropic versioning of hard-edged dancefloor sounds chanelled through the darkest recesses of your mind.
Over the first extended side he explores peripheral deep and complex drone works, plumbing a space somewhere between Mohammad’s deathly invocations and the dense dankness of Rainforest Spiritual Enslavement with a combination of greazy, slyding pitches, peripheral tones and dense electronic oscillations roiled in vast electro-acoustic space.
The other side, however, is given to beat driven structures, with YS 2 involving Mark Godwin on a clanking, ritualistic rhythm that sounds like it managed to escape from Coil’s latter-day archive, whilst also recalling his work as ZK for Skam, whereas Endtitle catches Goner solo on a dense rhythmic tip.
Killer album of glowering drone and clanking percussion from Martin Maischen aka Goner.
Flanked by noise-cellist Unter Lala and Mark Godwin (a musician/sound engineer whose discography includes work with Coil), Yogascum feels like a ghosted, atrophied and entropic versioning of hard-edged dancefloor sounds chanelled through the darkest recesses of your mind.
Over the first extended side he explores peripheral deep and complex drone works, plumbing a space somewhere between Mohammad’s deathly invocations and the dense dankness of Rainforest Spiritual Enslavement with a combination of greazy, slyding pitches, peripheral tones and dense electronic oscillations roiled in vast electro-acoustic space.
The other side, however, is given to beat driven structures, with YS 2 involving Mark Godwin on a clanking, ritualistic rhythm that sounds like it managed to escape from Coil’s latter-day archive, whilst also recalling his work as ZK for Skam, whereas Endtitle catches Goner solo on a dense rhythmic tip.
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Killer album of glowering drone and clanking percussion from Martin Maischen aka Goner.
Flanked by noise-cellist Unter Lala and Mark Godwin (a musician/sound engineer whose discography includes work with Coil), Yogascum feels like a ghosted, atrophied and entropic versioning of hard-edged dancefloor sounds chanelled through the darkest recesses of your mind.
Over the first extended side he explores peripheral deep and complex drone works, plumbing a space somewhere between Mohammad’s deathly invocations and the dense dankness of Rainforest Spiritual Enslavement with a combination of greazy, slyding pitches, peripheral tones and dense electronic oscillations roiled in vast electro-acoustic space.
The other side, however, is given to beat driven structures, with YS 2 involving Mark Godwin on a clanking, ritualistic rhythm that sounds like it managed to escape from Coil’s latter-day archive, whilst also recalling his work as ZK for Skam, whereas Endtitle catches Goner solo on a dense rhythmic tip.