"YMCA is guitarist Alan Licht's first solo release since 2003's A New York Minute double CD (on XI), and his first solo vinyl outing since 1994's long out-of-print Sink the Aging Process (on Siltbreeze). Largely recorded at a 2004 concert at a Cambridge Massachusetts YMCA by Keith Fullerton Whitman, YMCA documents Licht's solo guitar set of the time -- a three-part structured improvisation that moves from mournful, layered sustained tones that sound more like a reed organ than a guitar, to a gently plucked middle section, to a final firestorm of loop processing that is a tour de force of "the changing same." Inspired by his friends Oren Ambarchi and Tetuzi Akiyama's then-current albums (Triste and Don't Forget To Boogie), Licht proposed YMCA to Idea Records to form a kind of trilogy with those releases. With Idea's subsequent demise, Family Vineyard has stepped in to bring this peak performance out as a special limited edition vinyl release, exactly as the artist originally conceived it. LP limited to 500 copies. Over the past two decades, guitarist Alan Licht has worked with a veritable who's who of the experimental world, from free jazz legends (Rashied Ali, Derek Bailey) and electronica wizards (Fennesz, Jim O'Rourke) to turntable masters (DJ Spooky, Christian Marclay) and veteran Downtown New York composers (John Zorn, Rhys Chatham). Licht is also renown in the indie rock scene as a bandleader (Run On, Love Child) and supporting player to cult legends like Tom Verlaine, Arthur Lee, Arto Lindsay, and Jandek. He has released five albums of compositions for tape and solo guitar, and his sound and video installations have been exhibited in the U.S. and Europe. With Sonic Youth's Lee Ranaldo, he founded Text of Light, an ongoing ensemble which performs freely improvised concerts alongside screenings of classic avant garde cinema"
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"YMCA is guitarist Alan Licht's first solo release since 2003's A New York Minute double CD (on XI), and his first solo vinyl outing since 1994's long out-of-print Sink the Aging Process (on Siltbreeze). Largely recorded at a 2004 concert at a Cambridge Massachusetts YMCA by Keith Fullerton Whitman, YMCA documents Licht's solo guitar set of the time -- a three-part structured improvisation that moves from mournful, layered sustained tones that sound more like a reed organ than a guitar, to a gently plucked middle section, to a final firestorm of loop processing that is a tour de force of "the changing same." Inspired by his friends Oren Ambarchi and Tetuzi Akiyama's then-current albums (Triste and Don't Forget To Boogie), Licht proposed YMCA to Idea Records to form a kind of trilogy with those releases. With Idea's subsequent demise, Family Vineyard has stepped in to bring this peak performance out as a special limited edition vinyl release, exactly as the artist originally conceived it. LP limited to 500 copies. Over the past two decades, guitarist Alan Licht has worked with a veritable who's who of the experimental world, from free jazz legends (Rashied Ali, Derek Bailey) and electronica wizards (Fennesz, Jim O'Rourke) to turntable masters (DJ Spooky, Christian Marclay) and veteran Downtown New York composers (John Zorn, Rhys Chatham). Licht is also renown in the indie rock scene as a bandleader (Run On, Love Child) and supporting player to cult legends like Tom Verlaine, Arthur Lee, Arto Lindsay, and Jandek. He has released five albums of compositions for tape and solo guitar, and his sound and video installations have been exhibited in the U.S. and Europe. With Sonic Youth's Lee Ranaldo, he founded Text of Light, an ongoing ensemble which performs freely improvised concerts alongside screenings of classic avant garde cinema"
"YMCA is guitarist Alan Licht's first solo release since 2003's A New York Minute double CD (on XI), and his first solo vinyl outing since 1994's long out-of-print Sink the Aging Process (on Siltbreeze). Largely recorded at a 2004 concert at a Cambridge Massachusetts YMCA by Keith Fullerton Whitman, YMCA documents Licht's solo guitar set of the time -- a three-part structured improvisation that moves from mournful, layered sustained tones that sound more like a reed organ than a guitar, to a gently plucked middle section, to a final firestorm of loop processing that is a tour de force of "the changing same." Inspired by his friends Oren Ambarchi and Tetuzi Akiyama's then-current albums (Triste and Don't Forget To Boogie), Licht proposed YMCA to Idea Records to form a kind of trilogy with those releases. With Idea's subsequent demise, Family Vineyard has stepped in to bring this peak performance out as a special limited edition vinyl release, exactly as the artist originally conceived it. LP limited to 500 copies. Over the past two decades, guitarist Alan Licht has worked with a veritable who's who of the experimental world, from free jazz legends (Rashied Ali, Derek Bailey) and electronica wizards (Fennesz, Jim O'Rourke) to turntable masters (DJ Spooky, Christian Marclay) and veteran Downtown New York composers (John Zorn, Rhys Chatham). Licht is also renown in the indie rock scene as a bandleader (Run On, Love Child) and supporting player to cult legends like Tom Verlaine, Arthur Lee, Arto Lindsay, and Jandek. He has released five albums of compositions for tape and solo guitar, and his sound and video installations have been exhibited in the U.S. and Europe. With Sonic Youth's Lee Ranaldo, he founded Text of Light, an ongoing ensemble which performs freely improvised concerts alongside screenings of classic avant garde cinema"