YEARN IV
Recorded in Melbourne and London, Teether and Kuya Neil's debut album paints an isolated picture of contemporary urban Australia, lashing the duo's dry, internet-era raps around cybernetic jungle, metal and Jersey club-influenced beats.
'YEARN IV' is a record that's indebted to the streaming era. Based in Melbourne, rappers Teether and Kuya Neil just wouldn't have access to the wealth of sounds that made their way to the album unless they'd been plugged into the matrix, and it's a fittingly confused patchwork of old and new, glo-stick and snap-back. Opening with 'SCRATCH AT THE FLEA POINT', a metal-rap hybrid that sounds as if it's waiting for an Asian Dub Foundation guest verse, the album picks up speed on 'COSPLAY', gussying up a d&b step with saturated trap 909s and careless rhymes. Their Autotune-heavy dream-jungle experiment 'BLUSH' is a little more convincing, but it's the weird, pneumatic 'DIAL UP' that seems to play to the duo's strengths, stretching heaving beats around the pair's awkward, antiquated flow.
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Recorded in Melbourne and London, Teether and Kuya Neil's debut album paints an isolated picture of contemporary urban Australia, lashing the duo's dry, internet-era raps around cybernetic jungle, metal and Jersey club-influenced beats.
'YEARN IV' is a record that's indebted to the streaming era. Based in Melbourne, rappers Teether and Kuya Neil just wouldn't have access to the wealth of sounds that made their way to the album unless they'd been plugged into the matrix, and it's a fittingly confused patchwork of old and new, glo-stick and snap-back. Opening with 'SCRATCH AT THE FLEA POINT', a metal-rap hybrid that sounds as if it's waiting for an Asian Dub Foundation guest verse, the album picks up speed on 'COSPLAY', gussying up a d&b step with saturated trap 909s and careless rhymes. Their Autotune-heavy dream-jungle experiment 'BLUSH' is a little more convincing, but it's the weird, pneumatic 'DIAL UP' that seems to play to the duo's strengths, stretching heaving beats around the pair's awkward, antiquated flow.
Recorded in Melbourne and London, Teether and Kuya Neil's debut album paints an isolated picture of contemporary urban Australia, lashing the duo's dry, internet-era raps around cybernetic jungle, metal and Jersey club-influenced beats.
'YEARN IV' is a record that's indebted to the streaming era. Based in Melbourne, rappers Teether and Kuya Neil just wouldn't have access to the wealth of sounds that made their way to the album unless they'd been plugged into the matrix, and it's a fittingly confused patchwork of old and new, glo-stick and snap-back. Opening with 'SCRATCH AT THE FLEA POINT', a metal-rap hybrid that sounds as if it's waiting for an Asian Dub Foundation guest verse, the album picks up speed on 'COSPLAY', gussying up a d&b step with saturated trap 909s and careless rhymes. Their Autotune-heavy dream-jungle experiment 'BLUSH' is a little more convincing, but it's the weird, pneumatic 'DIAL UP' that seems to play to the duo's strengths, stretching heaving beats around the pair's awkward, antiquated flow.
Recorded in Melbourne and London, Teether and Kuya Neil's debut album paints an isolated picture of contemporary urban Australia, lashing the duo's dry, internet-era raps around cybernetic jungle, metal and Jersey club-influenced beats.
'YEARN IV' is a record that's indebted to the streaming era. Based in Melbourne, rappers Teether and Kuya Neil just wouldn't have access to the wealth of sounds that made their way to the album unless they'd been plugged into the matrix, and it's a fittingly confused patchwork of old and new, glo-stick and snap-back. Opening with 'SCRATCH AT THE FLEA POINT', a metal-rap hybrid that sounds as if it's waiting for an Asian Dub Foundation guest verse, the album picks up speed on 'COSPLAY', gussying up a d&b step with saturated trap 909s and careless rhymes. Their Autotune-heavy dream-jungle experiment 'BLUSH' is a little more convincing, but it's the weird, pneumatic 'DIAL UP' that seems to play to the duo's strengths, stretching heaving beats around the pair's awkward, antiquated flow.
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Recorded in Melbourne and London, Teether and Kuya Neil's debut album paints an isolated picture of contemporary urban Australia, lashing the duo's dry, internet-era raps around cybernetic jungle, metal and Jersey club-influenced beats.
'YEARN IV' is a record that's indebted to the streaming era. Based in Melbourne, rappers Teether and Kuya Neil just wouldn't have access to the wealth of sounds that made their way to the album unless they'd been plugged into the matrix, and it's a fittingly confused patchwork of old and new, glo-stick and snap-back. Opening with 'SCRATCH AT THE FLEA POINT', a metal-rap hybrid that sounds as if it's waiting for an Asian Dub Foundation guest verse, the album picks up speed on 'COSPLAY', gussying up a d&b step with saturated trap 909s and careless rhymes. Their Autotune-heavy dream-jungle experiment 'BLUSH' is a little more convincing, but it's the weird, pneumatic 'DIAL UP' that seems to play to the duo's strengths, stretching heaving beats around the pair's awkward, antiquated flow.