Boomkat Product Review:
Joachim Nordwall’s iDEAL catch Bob Bellevue, sound guy for NYC’s ISSUE Project Room, working hard at the biting point of electro-acoustic feedback with Yamaha Deluxe - a continuation of the powerful, element beauty contained within his Damned Piano 2CD for Anarchymoon Recordings.
Using the Yamaha CFIIIS PE Grand Piano alluded to in the title as a sort of resonant tone generator, Bellevue applies a matrix of speakers, amps, pickups, contact miss, microphones, pedals, and a laptop running SuperCollider, to render the instrument as hardly heard before, wrenching out something more akin to a Stephen O’Malley solo guitar performance, or even an imagined O’Malley duet with Reinhold Friedl.
The session breaks down to five uncompromising live performances, banking a mass of complex, reverberating harmonics from shearing hi-register tones to guttural subduction in the 1st part, then with a more patient temperament in the 2nd, making the grand joanna sound like a primeval, wounded beast in its dying minutes. The 3rd section expresses 20 minutes of liminal, Drumm-like tone control calving into cavernous growls and thunder, and the relatively brief part 4 transitions from barely perceptible bass presence to bone-rubbed shudders, with the 5th track expanding that aesthetic to sound like a location recording made in the bowels of sunken warship.