XAllegroX / The Shape Of Trance To Come
PointilisticT maestro Lorenzo Senni follows the Roland JP-8000 lead lines of his acclaimed Quantum Jelly, Superimpositions, and Persona LPs into The Shape Of Trance To Come - serving two of the series’ most distinctive deconstructions and augmentations of ‘90s trance archetypes
Suited in Warp’s classic purple disco sleeve artwork, usually reserved for their dancefloor-dedicated cuts, these two serve their purpose with expert, avant gurn control bound to masticate the ‘floor and turn us all into cowie-faced Bussells and Acostas (if only in our own heads).
XAllegroX peaks first with tentative, glitching intro bursting into life with a flux of lump-in-throat swoops and rapid, eye-strobing plies that leave us floating and breathless but well up for more, coming in a lustrous, jagged spume of chromatically curdled chords inna sorta acid trancehall style on Lorenzo’s marvellous title cut, which, in his special way, reveals the filigree, complex engineering that goes into the emotive guts of the biggest trance tracks; dismissing dichotomies of hi and lo art or culture with the same sort of insight and magickal realism as Mark Leckey.
TIP!
View more
PointilisticT maestro Lorenzo Senni follows the Roland JP-8000 lead lines of his acclaimed Quantum Jelly, Superimpositions, and Persona LPs into The Shape Of Trance To Come - serving two of the series’ most distinctive deconstructions and augmentations of ‘90s trance archetypes
Suited in Warp’s classic purple disco sleeve artwork, usually reserved for their dancefloor-dedicated cuts, these two serve their purpose with expert, avant gurn control bound to masticate the ‘floor and turn us all into cowie-faced Bussells and Acostas (if only in our own heads).
XAllegroX peaks first with tentative, glitching intro bursting into life with a flux of lump-in-throat swoops and rapid, eye-strobing plies that leave us floating and breathless but well up for more, coming in a lustrous, jagged spume of chromatically curdled chords inna sorta acid trancehall style on Lorenzo’s marvellous title cut, which, in his special way, reveals the filigree, complex engineering that goes into the emotive guts of the biggest trance tracks; dismissing dichotomies of hi and lo art or culture with the same sort of insight and magickal realism as Mark Leckey.
TIP!
PointilisticT maestro Lorenzo Senni follows the Roland JP-8000 lead lines of his acclaimed Quantum Jelly, Superimpositions, and Persona LPs into The Shape Of Trance To Come - serving two of the series’ most distinctive deconstructions and augmentations of ‘90s trance archetypes
Suited in Warp’s classic purple disco sleeve artwork, usually reserved for their dancefloor-dedicated cuts, these two serve their purpose with expert, avant gurn control bound to masticate the ‘floor and turn us all into cowie-faced Bussells and Acostas (if only in our own heads).
XAllegroX peaks first with tentative, glitching intro bursting into life with a flux of lump-in-throat swoops and rapid, eye-strobing plies that leave us floating and breathless but well up for more, coming in a lustrous, jagged spume of chromatically curdled chords inna sorta acid trancehall style on Lorenzo’s marvellous title cut, which, in his special way, reveals the filigree, complex engineering that goes into the emotive guts of the biggest trance tracks; dismissing dichotomies of hi and lo art or culture with the same sort of insight and magickal realism as Mark Leckey.
TIP!
PointilisticT maestro Lorenzo Senni follows the Roland JP-8000 lead lines of his acclaimed Quantum Jelly, Superimpositions, and Persona LPs into The Shape Of Trance To Come - serving two of the series’ most distinctive deconstructions and augmentations of ‘90s trance archetypes
Suited in Warp’s classic purple disco sleeve artwork, usually reserved for their dancefloor-dedicated cuts, these two serve their purpose with expert, avant gurn control bound to masticate the ‘floor and turn us all into cowie-faced Bussells and Acostas (if only in our own heads).
XAllegroX peaks first with tentative, glitching intro bursting into life with a flux of lump-in-throat swoops and rapid, eye-strobing plies that leave us floating and breathless but well up for more, coming in a lustrous, jagged spume of chromatically curdled chords inna sorta acid trancehall style on Lorenzo’s marvellous title cut, which, in his special way, reveals the filigree, complex engineering that goes into the emotive guts of the biggest trance tracks; dismissing dichotomies of hi and lo art or culture with the same sort of insight and magickal realism as Mark Leckey.
TIP!
Out of Stock
PointilisticT maestro Lorenzo Senni follows the Roland JP-8000 lead lines of his acclaimed Quantum Jelly, Superimpositions, and Persona LPs into The Shape Of Trance To Come - serving two of the series’ most distinctive deconstructions and augmentations of ‘90s trance archetypes
Suited in Warp’s classic purple disco sleeve artwork, usually reserved for their dancefloor-dedicated cuts, these two serve their purpose with expert, avant gurn control bound to masticate the ‘floor and turn us all into cowie-faced Bussells and Acostas (if only in our own heads).
XAllegroX peaks first with tentative, glitching intro bursting into life with a flux of lump-in-throat swoops and rapid, eye-strobing plies that leave us floating and breathless but well up for more, coming in a lustrous, jagged spume of chromatically curdled chords inna sorta acid trancehall style on Lorenzo’s marvellous title cut, which, in his special way, reveals the filigree, complex engineering that goes into the emotive guts of the biggest trance tracks; dismissing dichotomies of hi and lo art or culture with the same sort of insight and magickal realism as Mark Leckey.
TIP!