Boomkat Product Review:
Benjamin John Power explores the inner beast in us all through the typically brash sound design of this Blanck Mass album.
Forever to be known as half of a duo who just don’t f*cking like buttons, Benjamin John Power’s solo body of work as Blanck Mass has continued to gain tractions since his first album back in 2011.
‘World Eater’ continues the Blanck Mass dalliance with Brooklyn outpost Sacred Bones and offers up a screwballed exposition investigating the primal urges of humanity with everything naturally dialled up well past 11. Given the conceptual thrust, it’s no surprise there is a sonic brutality to much of ‘World Eater,’ apparent in the sucker punch that hits you from the first two tracks.
An intricate mesh of clockwork toy melodies and vocal harmonies on John Doe's Carnival of Error proves a falsely sweet opener as it gets consumed by the swirling, violent maelstrom of operatic techno gabber that follows on Rhesus Negative.
Respite comes in the form of Please, which sees Power veering off into sample-heavy MPC beat down reminiscent of early Gold Panda, but he’s soon back into head crunching territory with the 23rd Century glam rock flaunt of The Rat. This very British style of modern sound design applied to electronic music continues as uber-processed vocals crash over vertebrae snapping beats on Silent Treatment, whilst Minnesota / Eas Fors / Naked discards with rhythm to engage in a rainstorm of kinetic energy and searing synth work.