Boomkat Product Review:
All the fun of the brilliant original album, sans vox. A tenner bet says you’ll be singing along anyway!
Marie Davidson is a synth-pop star for our times. Her belting 4th solo LP, ‘Working Class Woman’ is a definitive reflection of her character and current sound, including road-tested zingers from her powerful live show along with genuine surprises, while introducing a whole new wave of listeners to her charms.
In hot pursuit of the more ‘floor-friendly styles on her ‘Adieux Au Dancefloor’, and marking distance travelled since her cinematically sculpted ‘Un Autre Voyage’ for Holodeck, Marie’s 4th album inseparably binds the sound designer and dancefloor aspects of her sound in a sleek, witty, and totally captivating album which, for all it’s vintage touchstones, feels very symptomatic of 2018.
Her grooves are firmed up to direct functionality while the arrangements are as varied as anything from her intricate earlier works, resulting in big highlights on her live show favourite, the playfully raunchy EBM of ‘Work It’, and the rabid drum machine razz-out ‘Workaholic Paranoid Bitch’. But the amazing late ‘80s synth-pop-house of ‘So Right’ and the album’s two bookends of sardonic and sensual vocals, set to respectively pensive and sublime backdrops, really set this album apart from the crowd.