London’s bassbin lynchpin Mr. Mitch switches tack to experiment with uptempo electro and UKG mutations on his first new one since the outstanding album ‘Lazy’
‘Work!’ pays up on his online promise to expect something a little different with new and forthcoming Mr. Mitch material, launching with four playful aces dancing between the 130-160bpm brackets. As with all his work, from foundational grime productions thru his rude recent experiments, Mr. Mitch does it his own way at each turn, rinsing 2-step templates with squirrelly acid and lysergic rave diva motifs in ‘Jack Russell’, and more nimbly dipping between R&G and dark garage pressures on ‘R U In2 It?’, before ramping the madness with a flux of nasty bass tension and UKG warmth in ‘Likkle Taste’, and tearing his tap aff to warnings of “he’s got a heart hing!” with the 150bpm happy hardcore pump of ‘Speeed’.
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London’s bassbin lynchpin Mr. Mitch switches tack to experiment with uptempo electro and UKG mutations on his first new one since the outstanding album ‘Lazy’
‘Work!’ pays up on his online promise to expect something a little different with new and forthcoming Mr. Mitch material, launching with four playful aces dancing between the 130-160bpm brackets. As with all his work, from foundational grime productions thru his rude recent experiments, Mr. Mitch does it his own way at each turn, rinsing 2-step templates with squirrelly acid and lysergic rave diva motifs in ‘Jack Russell’, and more nimbly dipping between R&G and dark garage pressures on ‘R U In2 It?’, before ramping the madness with a flux of nasty bass tension and UKG warmth in ‘Likkle Taste’, and tearing his tap aff to warnings of “he’s got a heart hing!” with the 150bpm happy hardcore pump of ‘Speeed’.
London’s bassbin lynchpin Mr. Mitch switches tack to experiment with uptempo electro and UKG mutations on his first new one since the outstanding album ‘Lazy’
‘Work!’ pays up on his online promise to expect something a little different with new and forthcoming Mr. Mitch material, launching with four playful aces dancing between the 130-160bpm brackets. As with all his work, from foundational grime productions thru his rude recent experiments, Mr. Mitch does it his own way at each turn, rinsing 2-step templates with squirrelly acid and lysergic rave diva motifs in ‘Jack Russell’, and more nimbly dipping between R&G and dark garage pressures on ‘R U In2 It?’, before ramping the madness with a flux of nasty bass tension and UKG warmth in ‘Likkle Taste’, and tearing his tap aff to warnings of “he’s got a heart hing!” with the 150bpm happy hardcore pump of ‘Speeed’.
London’s bassbin lynchpin Mr. Mitch switches tack to experiment with uptempo electro and UKG mutations on his first new one since the outstanding album ‘Lazy’
‘Work!’ pays up on his online promise to expect something a little different with new and forthcoming Mr. Mitch material, launching with four playful aces dancing between the 130-160bpm brackets. As with all his work, from foundational grime productions thru his rude recent experiments, Mr. Mitch does it his own way at each turn, rinsing 2-step templates with squirrelly acid and lysergic rave diva motifs in ‘Jack Russell’, and more nimbly dipping between R&G and dark garage pressures on ‘R U In2 It?’, before ramping the madness with a flux of nasty bass tension and UKG warmth in ‘Likkle Taste’, and tearing his tap aff to warnings of “he’s got a heart hing!” with the 150bpm happy hardcore pump of ‘Speeed’.