After 10 years of rollicking techno velocity, Blawan squeezes his gritty modular sound into ruder, more syncopated styles on his first adventure with XL.
Now Barnsley’s 2nd best export after Rate My Takeaway, Jamie Roberts aka Blawan comes into his own on ‘Woke Up Right Handed’, running a devilishly swanged out sort of UK machine funk that’s best characterised in the EP’s highlight ‘Close The Circle’, and which percolates thru it’s wiry but big boned grooves; pranging out in the spiralling synth leads of ‘Close The Cycle’ and manhandled with a manacled electro grip in ‘Gosk’, with a superb, experimental twyst on the dembow style dialling up early Arca and paralleling Mosca madnesses in the chewy roil of ‘No Rabbit No Life’.
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After 10 years of rollicking techno velocity, Blawan squeezes his gritty modular sound into ruder, more syncopated styles on his first adventure with XL.
Now Barnsley’s 2nd best export after Rate My Takeaway, Jamie Roberts aka Blawan comes into his own on ‘Woke Up Right Handed’, running a devilishly swanged out sort of UK machine funk that’s best characterised in the EP’s highlight ‘Close The Circle’, and which percolates thru it’s wiry but big boned grooves; pranging out in the spiralling synth leads of ‘Close The Cycle’ and manhandled with a manacled electro grip in ‘Gosk’, with a superb, experimental twyst on the dembow style dialling up early Arca and paralleling Mosca madnesses in the chewy roil of ‘No Rabbit No Life’.
After 10 years of rollicking techno velocity, Blawan squeezes his gritty modular sound into ruder, more syncopated styles on his first adventure with XL.
Now Barnsley’s 2nd best export after Rate My Takeaway, Jamie Roberts aka Blawan comes into his own on ‘Woke Up Right Handed’, running a devilishly swanged out sort of UK machine funk that’s best characterised in the EP’s highlight ‘Close The Circle’, and which percolates thru it’s wiry but big boned grooves; pranging out in the spiralling synth leads of ‘Close The Cycle’ and manhandled with a manacled electro grip in ‘Gosk’, with a superb, experimental twyst on the dembow style dialling up early Arca and paralleling Mosca madnesses in the chewy roil of ‘No Rabbit No Life’.
After 10 years of rollicking techno velocity, Blawan squeezes his gritty modular sound into ruder, more syncopated styles on his first adventure with XL.
Now Barnsley’s 2nd best export after Rate My Takeaway, Jamie Roberts aka Blawan comes into his own on ‘Woke Up Right Handed’, running a devilishly swanged out sort of UK machine funk that’s best characterised in the EP’s highlight ‘Close The Circle’, and which percolates thru it’s wiry but big boned grooves; pranging out in the spiralling synth leads of ‘Close The Cycle’ and manhandled with a manacled electro grip in ‘Gosk’, with a superb, experimental twyst on the dembow style dialling up early Arca and paralleling Mosca madnesses in the chewy roil of ‘No Rabbit No Life’.
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After 10 years of rollicking techno velocity, Blawan squeezes his gritty modular sound into ruder, more syncopated styles on his first adventure with XL.
Now Barnsley’s 2nd best export after Rate My Takeaway, Jamie Roberts aka Blawan comes into his own on ‘Woke Up Right Handed’, running a devilishly swanged out sort of UK machine funk that’s best characterised in the EP’s highlight ‘Close The Circle’, and which percolates thru it’s wiry but big boned grooves; pranging out in the spiralling synth leads of ‘Close The Cycle’ and manhandled with a manacled electro grip in ‘Gosk’, with a superb, experimental twyst on the dembow style dialling up early Arca and paralleling Mosca madnesses in the chewy roil of ‘No Rabbit No Life’.