Photay (aka Evan Shornstein) returns to Mexican Summer with a nine-song cycle of jazzy ambience, breaksy IDM and humid, Fourth World rave that celebrates the movement of air.
Shornstein's fifth album was conceived when the producer created a synth patch he named "wind", using it to power a study of the air's influence on human existence and emotional states. It's a jumping-off point that's fairly open, giving Shornstein the freedom to bound through ideas and concepts. Opener 'Forecast', for example, is a levitational choral piece, that leads neatly into the jazzy, tweaky hardware jam 'Global Wind Trade' and the AFX/Squarepusher-inspired 'Air Lock'. The linking thread is Shornstein's blustery production aesthetic; there's pop hidden in there somewhere, but the New York-based beatmaker pierces it with his tenacious experimentation, refusing to sit in one place for too long.
'Derecho' is a slow-paced elasticated FM house groover that's spiked with glassy prangs and swirling, soft-hued pads, while 'Barely There' almost dissolves the beats entirely in a haze of wobbly smoove jazz synths and stifled voices. Proper sunrise material, if that's what you need.
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Photay (aka Evan Shornstein) returns to Mexican Summer with a nine-song cycle of jazzy ambience, breaksy IDM and humid, Fourth World rave that celebrates the movement of air.
Shornstein's fifth album was conceived when the producer created a synth patch he named "wind", using it to power a study of the air's influence on human existence and emotional states. It's a jumping-off point that's fairly open, giving Shornstein the freedom to bound through ideas and concepts. Opener 'Forecast', for example, is a levitational choral piece, that leads neatly into the jazzy, tweaky hardware jam 'Global Wind Trade' and the AFX/Squarepusher-inspired 'Air Lock'. The linking thread is Shornstein's blustery production aesthetic; there's pop hidden in there somewhere, but the New York-based beatmaker pierces it with his tenacious experimentation, refusing to sit in one place for too long.
'Derecho' is a slow-paced elasticated FM house groover that's spiked with glassy prangs and swirling, soft-hued pads, while 'Barely There' almost dissolves the beats entirely in a haze of wobbly smoove jazz synths and stifled voices. Proper sunrise material, if that's what you need.
Photay (aka Evan Shornstein) returns to Mexican Summer with a nine-song cycle of jazzy ambience, breaksy IDM and humid, Fourth World rave that celebrates the movement of air.
Shornstein's fifth album was conceived when the producer created a synth patch he named "wind", using it to power a study of the air's influence on human existence and emotional states. It's a jumping-off point that's fairly open, giving Shornstein the freedom to bound through ideas and concepts. Opener 'Forecast', for example, is a levitational choral piece, that leads neatly into the jazzy, tweaky hardware jam 'Global Wind Trade' and the AFX/Squarepusher-inspired 'Air Lock'. The linking thread is Shornstein's blustery production aesthetic; there's pop hidden in there somewhere, but the New York-based beatmaker pierces it with his tenacious experimentation, refusing to sit in one place for too long.
'Derecho' is a slow-paced elasticated FM house groover that's spiked with glassy prangs and swirling, soft-hued pads, while 'Barely There' almost dissolves the beats entirely in a haze of wobbly smoove jazz synths and stifled voices. Proper sunrise material, if that's what you need.
Photay (aka Evan Shornstein) returns to Mexican Summer with a nine-song cycle of jazzy ambience, breaksy IDM and humid, Fourth World rave that celebrates the movement of air.
Shornstein's fifth album was conceived when the producer created a synth patch he named "wind", using it to power a study of the air's influence on human existence and emotional states. It's a jumping-off point that's fairly open, giving Shornstein the freedom to bound through ideas and concepts. Opener 'Forecast', for example, is a levitational choral piece, that leads neatly into the jazzy, tweaky hardware jam 'Global Wind Trade' and the AFX/Squarepusher-inspired 'Air Lock'. The linking thread is Shornstein's blustery production aesthetic; there's pop hidden in there somewhere, but the New York-based beatmaker pierces it with his tenacious experimentation, refusing to sit in one place for too long.
'Derecho' is a slow-paced elasticated FM house groover that's spiked with glassy prangs and swirling, soft-hued pads, while 'Barely There' almost dissolves the beats entirely in a haze of wobbly smoove jazz synths and stifled voices. Proper sunrise material, if that's what you need.
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Photay (aka Evan Shornstein) returns to Mexican Summer with a nine-song cycle of jazzy ambience, breaksy IDM and humid, Fourth World rave that celebrates the movement of air.
Shornstein's fifth album was conceived when the producer created a synth patch he named "wind", using it to power a study of the air's influence on human existence and emotional states. It's a jumping-off point that's fairly open, giving Shornstein the freedom to bound through ideas and concepts. Opener 'Forecast', for example, is a levitational choral piece, that leads neatly into the jazzy, tweaky hardware jam 'Global Wind Trade' and the AFX/Squarepusher-inspired 'Air Lock'. The linking thread is Shornstein's blustery production aesthetic; there's pop hidden in there somewhere, but the New York-based beatmaker pierces it with his tenacious experimentation, refusing to sit in one place for too long.
'Derecho' is a slow-paced elasticated FM house groover that's spiked with glassy prangs and swirling, soft-hued pads, while 'Barely There' almost dissolves the beats entirely in a haze of wobbly smoove jazz synths and stifled voices. Proper sunrise material, if that's what you need.