Berlin’s Neinzea lands on Whities with 5 minimalist electro and poetic ambient designs
Chasing up 12”s for Timedance, Rhythm Section’s International Black, and Yumé since 2013, Neinzer spends the EP’s first half exploring a sort of lean electro-jazz-house style in ‘Voyager’ and the supple, sculpted electro parry of ‘Deff’, before drifting into mulky ambient zones with the spare keys and lilting dream sequence sounds of ‘Elliptical Footsteps’, the glowing tone poem ‘Ronda’, and trickling thumb pianos of ‘Falafel’s’ in a way recalling a mix of Madelyn Merkey and Ursula Bogner’s imaginative inventions.
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Berlin’s Neinzea lands on Whities with 5 minimalist electro and poetic ambient designs
Chasing up 12”s for Timedance, Rhythm Section’s International Black, and Yumé since 2013, Neinzer spends the EP’s first half exploring a sort of lean electro-jazz-house style in ‘Voyager’ and the supple, sculpted electro parry of ‘Deff’, before drifting into mulky ambient zones with the spare keys and lilting dream sequence sounds of ‘Elliptical Footsteps’, the glowing tone poem ‘Ronda’, and trickling thumb pianos of ‘Falafel’s’ in a way recalling a mix of Madelyn Merkey and Ursula Bogner’s imaginative inventions.
Berlin’s Neinzea lands on Whities with 5 minimalist electro and poetic ambient designs
Chasing up 12”s for Timedance, Rhythm Section’s International Black, and Yumé since 2013, Neinzer spends the EP’s first half exploring a sort of lean electro-jazz-house style in ‘Voyager’ and the supple, sculpted electro parry of ‘Deff’, before drifting into mulky ambient zones with the spare keys and lilting dream sequence sounds of ‘Elliptical Footsteps’, the glowing tone poem ‘Ronda’, and trickling thumb pianos of ‘Falafel’s’ in a way recalling a mix of Madelyn Merkey and Ursula Bogner’s imaginative inventions.
Berlin’s Neinzea lands on Whities with 5 minimalist electro and poetic ambient designs
Chasing up 12”s for Timedance, Rhythm Section’s International Black, and Yumé since 2013, Neinzer spends the EP’s first half exploring a sort of lean electro-jazz-house style in ‘Voyager’ and the supple, sculpted electro parry of ‘Deff’, before drifting into mulky ambient zones with the spare keys and lilting dream sequence sounds of ‘Elliptical Footsteps’, the glowing tone poem ‘Ronda’, and trickling thumb pianos of ‘Falafel’s’ in a way recalling a mix of Madelyn Merkey and Ursula Bogner’s imaginative inventions.
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Berlin’s Neinzea lands on Whities with 5 minimalist electro and poetic ambient designs
Chasing up 12”s for Timedance, Rhythm Section’s International Black, and Yumé since 2013, Neinzer spends the EP’s first half exploring a sort of lean electro-jazz-house style in ‘Voyager’ and the supple, sculpted electro parry of ‘Deff’, before drifting into mulky ambient zones with the spare keys and lilting dream sequence sounds of ‘Elliptical Footsteps’, the glowing tone poem ‘Ronda’, and trickling thumb pianos of ‘Falafel’s’ in a way recalling a mix of Madelyn Merkey and Ursula Bogner’s imaginative inventions.