Where Things Are Hollow: No Tomorrow
Martin Jenkins completes his 'Where Things Are Hollow' series with an additional chapter of new solo material and a suite of remixes from Alessandro Cortini, Lord of the Isles, Kaitlyn Aurelia Smith, John Talabot and Surgeons Girl.
Jenkins kicked off his 'Where Things Are Hollow' project back in 2017 with a four tracker released on Lapsus Records, following it up three years later with a sequel featuring Talabot's popular EBM-inflected rework of 'Resist'. He draws a line under the project on 'No Tomorrow', remastering the first two records, adding a third, and moving Talabot's mix (there's a replacement unreleased track, natch) to the final chapter, alongside four new remixes. It's a bumper package then, and should appeal to fans of Jenkins' classic material; taking its cues from 'Black Mill Tapes' rather than following on from his recent Ghost Box-sponsored forays into VHS sleaze, 'Where Things Are Hollow: No Tomorrow' is a pristine fusion of woozy analogue fetishism and taut dancefloor momentum.
The new set of tracks doesn't deviate from the formula, taking a Larry Heard goes Analord turn on the acidic 'After Effects' and veering into eerie kosmische/new age territory on the euphoric 'Simulation Cult'. And Cortini takes the latter even further out towards the void on his powerful, anxiety-provoking remix, while Surgeons Girl upsets the former with skittering beats and pitchy, trance-inducing arpeggios.
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Martin Jenkins completes his 'Where Things Are Hollow' series with an additional chapter of new solo material and a suite of remixes from Alessandro Cortini, Lord of the Isles, Kaitlyn Aurelia Smith, John Talabot and Surgeons Girl.
Jenkins kicked off his 'Where Things Are Hollow' project back in 2017 with a four tracker released on Lapsus Records, following it up three years later with a sequel featuring Talabot's popular EBM-inflected rework of 'Resist'. He draws a line under the project on 'No Tomorrow', remastering the first two records, adding a third, and moving Talabot's mix (there's a replacement unreleased track, natch) to the final chapter, alongside four new remixes. It's a bumper package then, and should appeal to fans of Jenkins' classic material; taking its cues from 'Black Mill Tapes' rather than following on from his recent Ghost Box-sponsored forays into VHS sleaze, 'Where Things Are Hollow: No Tomorrow' is a pristine fusion of woozy analogue fetishism and taut dancefloor momentum.
The new set of tracks doesn't deviate from the formula, taking a Larry Heard goes Analord turn on the acidic 'After Effects' and veering into eerie kosmische/new age territory on the euphoric 'Simulation Cult'. And Cortini takes the latter even further out towards the void on his powerful, anxiety-provoking remix, while Surgeons Girl upsets the former with skittering beats and pitchy, trance-inducing arpeggios.
Martin Jenkins completes his 'Where Things Are Hollow' series with an additional chapter of new solo material and a suite of remixes from Alessandro Cortini, Lord of the Isles, Kaitlyn Aurelia Smith, John Talabot and Surgeons Girl.
Jenkins kicked off his 'Where Things Are Hollow' project back in 2017 with a four tracker released on Lapsus Records, following it up three years later with a sequel featuring Talabot's popular EBM-inflected rework of 'Resist'. He draws a line under the project on 'No Tomorrow', remastering the first two records, adding a third, and moving Talabot's mix (there's a replacement unreleased track, natch) to the final chapter, alongside four new remixes. It's a bumper package then, and should appeal to fans of Jenkins' classic material; taking its cues from 'Black Mill Tapes' rather than following on from his recent Ghost Box-sponsored forays into VHS sleaze, 'Where Things Are Hollow: No Tomorrow' is a pristine fusion of woozy analogue fetishism and taut dancefloor momentum.
The new set of tracks doesn't deviate from the formula, taking a Larry Heard goes Analord turn on the acidic 'After Effects' and veering into eerie kosmische/new age territory on the euphoric 'Simulation Cult'. And Cortini takes the latter even further out towards the void on his powerful, anxiety-provoking remix, while Surgeons Girl upsets the former with skittering beats and pitchy, trance-inducing arpeggios.
Martin Jenkins completes his 'Where Things Are Hollow' series with an additional chapter of new solo material and a suite of remixes from Alessandro Cortini, Lord of the Isles, Kaitlyn Aurelia Smith, John Talabot and Surgeons Girl.
Jenkins kicked off his 'Where Things Are Hollow' project back in 2017 with a four tracker released on Lapsus Records, following it up three years later with a sequel featuring Talabot's popular EBM-inflected rework of 'Resist'. He draws a line under the project on 'No Tomorrow', remastering the first two records, adding a third, and moving Talabot's mix (there's a replacement unreleased track, natch) to the final chapter, alongside four new remixes. It's a bumper package then, and should appeal to fans of Jenkins' classic material; taking its cues from 'Black Mill Tapes' rather than following on from his recent Ghost Box-sponsored forays into VHS sleaze, 'Where Things Are Hollow: No Tomorrow' is a pristine fusion of woozy analogue fetishism and taut dancefloor momentum.
The new set of tracks doesn't deviate from the formula, taking a Larry Heard goes Analord turn on the acidic 'After Effects' and veering into eerie kosmische/new age territory on the euphoric 'Simulation Cult'. And Cortini takes the latter even further out towards the void on his powerful, anxiety-provoking remix, while Surgeons Girl upsets the former with skittering beats and pitchy, trance-inducing arpeggios.