Loris S. Sarid & Innis Chonnel
Where The Round Things Live
Blissed new age synths and fluid percussion from 12th Isle’s new lambs, Loris S. Sarid & Innis Chonnel, beautifully inflicted with the atmosphere of their eastern Scottish recording location.
Finally making its full release proper, ‘Where The Round Things Live’ slots seamlessly into the 12th Isle agenda with a user-friendly suite of soft-focus, heather-hued synth tones enlivened with a mix of programmed and organic percussion, recorded at the duo’s wood workshop on Scotland’s east coast. Perhaps inevitably, we could draws proximal comparisons with aspects of Boards of Canada in Loris & Innis’ use of US new age tropes, but they err more to the minimal and private press side of that paradigm, and perhaps even toward Zoviet France’s lilting percussive accents from further down the coast, with results that sweetly betray their tactile, DIY construction.
The seven tracks of ‘Where The Round Things Live’ enact a daydream logic and feel that pings across the record with effortless appeal. From the babbling brook rhythmelody and choral cadence of ‘Glide’ to the fleeting drums of ‘Cathkin Shark’ prepare yrself for a lovely time, taking in the shimmering scales and hi-register electronic chatter of ‘Dolphin’, a balmy stroller ’Sun Cylinder’, the pendulous wobble of ‘Sanity Beach’ and liquid bliss of ‘Langoustine Psychomagic’ in their stride/stroke.
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Blissed new age synths and fluid percussion from 12th Isle’s new lambs, Loris S. Sarid & Innis Chonnel, beautifully inflicted with the atmosphere of their eastern Scottish recording location.
Finally making its full release proper, ‘Where The Round Things Live’ slots seamlessly into the 12th Isle agenda with a user-friendly suite of soft-focus, heather-hued synth tones enlivened with a mix of programmed and organic percussion, recorded at the duo’s wood workshop on Scotland’s east coast. Perhaps inevitably, we could draws proximal comparisons with aspects of Boards of Canada in Loris & Innis’ use of US new age tropes, but they err more to the minimal and private press side of that paradigm, and perhaps even toward Zoviet France’s lilting percussive accents from further down the coast, with results that sweetly betray their tactile, DIY construction.
The seven tracks of ‘Where The Round Things Live’ enact a daydream logic and feel that pings across the record with effortless appeal. From the babbling brook rhythmelody and choral cadence of ‘Glide’ to the fleeting drums of ‘Cathkin Shark’ prepare yrself for a lovely time, taking in the shimmering scales and hi-register electronic chatter of ‘Dolphin’, a balmy stroller ’Sun Cylinder’, the pendulous wobble of ‘Sanity Beach’ and liquid bliss of ‘Langoustine Psychomagic’ in their stride/stroke.
Blissed new age synths and fluid percussion from 12th Isle’s new lambs, Loris S. Sarid & Innis Chonnel, beautifully inflicted with the atmosphere of their eastern Scottish recording location.
Finally making its full release proper, ‘Where The Round Things Live’ slots seamlessly into the 12th Isle agenda with a user-friendly suite of soft-focus, heather-hued synth tones enlivened with a mix of programmed and organic percussion, recorded at the duo’s wood workshop on Scotland’s east coast. Perhaps inevitably, we could draws proximal comparisons with aspects of Boards of Canada in Loris & Innis’ use of US new age tropes, but they err more to the minimal and private press side of that paradigm, and perhaps even toward Zoviet France’s lilting percussive accents from further down the coast, with results that sweetly betray their tactile, DIY construction.
The seven tracks of ‘Where The Round Things Live’ enact a daydream logic and feel that pings across the record with effortless appeal. From the babbling brook rhythmelody and choral cadence of ‘Glide’ to the fleeting drums of ‘Cathkin Shark’ prepare yrself for a lovely time, taking in the shimmering scales and hi-register electronic chatter of ‘Dolphin’, a balmy stroller ’Sun Cylinder’, the pendulous wobble of ‘Sanity Beach’ and liquid bliss of ‘Langoustine Psychomagic’ in their stride/stroke.
Blissed new age synths and fluid percussion from 12th Isle’s new lambs, Loris S. Sarid & Innis Chonnel, beautifully inflicted with the atmosphere of their eastern Scottish recording location.
Finally making its full release proper, ‘Where The Round Things Live’ slots seamlessly into the 12th Isle agenda with a user-friendly suite of soft-focus, heather-hued synth tones enlivened with a mix of programmed and organic percussion, recorded at the duo’s wood workshop on Scotland’s east coast. Perhaps inevitably, we could draws proximal comparisons with aspects of Boards of Canada in Loris & Innis’ use of US new age tropes, but they err more to the minimal and private press side of that paradigm, and perhaps even toward Zoviet France’s lilting percussive accents from further down the coast, with results that sweetly betray their tactile, DIY construction.
The seven tracks of ‘Where The Round Things Live’ enact a daydream logic and feel that pings across the record with effortless appeal. From the babbling brook rhythmelody and choral cadence of ‘Glide’ to the fleeting drums of ‘Cathkin Shark’ prepare yrself for a lovely time, taking in the shimmering scales and hi-register electronic chatter of ‘Dolphin’, a balmy stroller ’Sun Cylinder’, the pendulous wobble of ‘Sanity Beach’ and liquid bliss of ‘Langoustine Psychomagic’ in their stride/stroke.
Re-stock. Green tape with expanded riso print in clear case.
Out of Stock
Blissed new age synths and fluid percussion from 12th Isle’s new lambs, Loris S. Sarid & Innis Chonnel, beautifully inflicted with the atmosphere of their eastern Scottish recording location.
Finally making its full release proper, ‘Where The Round Things Live’ slots seamlessly into the 12th Isle agenda with a user-friendly suite of soft-focus, heather-hued synth tones enlivened with a mix of programmed and organic percussion, recorded at the duo’s wood workshop on Scotland’s east coast. Perhaps inevitably, we could draws proximal comparisons with aspects of Boards of Canada in Loris & Innis’ use of US new age tropes, but they err more to the minimal and private press side of that paradigm, and perhaps even toward Zoviet France’s lilting percussive accents from further down the coast, with results that sweetly betray their tactile, DIY construction.
The seven tracks of ‘Where The Round Things Live’ enact a daydream logic and feel that pings across the record with effortless appeal. From the babbling brook rhythmelody and choral cadence of ‘Glide’ to the fleeting drums of ‘Cathkin Shark’ prepare yrself for a lovely time, taking in the shimmering scales and hi-register electronic chatter of ‘Dolphin’, a balmy stroller ’Sun Cylinder’, the pendulous wobble of ‘Sanity Beach’ and liquid bliss of ‘Langoustine Psychomagic’ in their stride/stroke.