What You Get For Being Young
Suzanne Kraft
What You Get For Being Young
Boomkat Product Review:
With a title that uncomfortably lodges in the mind, What You Get For Being Young is a beautifully blue-tinged ambient meditation from L.A.’s Suzanne Kraft, notching up their 3rd vinyl for Jonny Nash’s excellent London-based label.
Like everything on the exquisite Melody As Truth label, What You Get For Being Young trades in a humbling and all-too-rare sort of ambient subtlety that’s practiced only by a blessed few nowadays.
With the deftest touch and appreciation of spatial nuance, Kraft’s seven compositions grow with a sincerely serene, night-blooming quality that’s really hard to ignore if you’re susceptible to such stuff.
Entering with what sounds like a valium-smudged Peter Zummo performance in the melted brass tones of Body Heat, the record drifts from the moth-on-bulb percussion and evaporating pads of Bank to what could almost be a super minimalist Detroit Escalator Company cut in One Amongst Others, to wilt like a late summer Japanese garden soundtracked by Morton Feldman with Zé, and loll out into the rolling curves of Scripted Space and Further’s strangely unsettling, palsied structure and anaesthetised atmosphere.
Tip!
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Boomkat Product Review:
With a title that uncomfortably lodges in the mind, What You Get For Being Young is a beautifully blue-tinged ambient meditation from L.A.’s Suzanne Kraft, notching up their 3rd vinyl for Jonny Nash’s excellent London-based label.
Like everything on the exquisite Melody As Truth label, What You Get For Being Young trades in a humbling and all-too-rare sort of ambient subtlety that’s practiced only by a blessed few nowadays.
With the deftest touch and appreciation of spatial nuance, Kraft’s seven compositions grow with a sincerely serene, night-blooming quality that’s really hard to ignore if you’re susceptible to such stuff.
Entering with what sounds like a valium-smudged Peter Zummo performance in the melted brass tones of Body Heat, the record drifts from the moth-on-bulb percussion and evaporating pads of Bank to what could almost be a super minimalist Detroit Escalator Company cut in One Amongst Others, to wilt like a late summer Japanese garden soundtracked by Morton Feldman with Zé, and loll out into the rolling curves of Scripted Space and Further’s strangely unsettling, palsied structure and anaesthetised atmosphere.
Tip!
Boomkat Product Review:
With a title that uncomfortably lodges in the mind, What You Get For Being Young is a beautifully blue-tinged ambient meditation from L.A.’s Suzanne Kraft, notching up their 3rd vinyl for Jonny Nash’s excellent London-based label.
Like everything on the exquisite Melody As Truth label, What You Get For Being Young trades in a humbling and all-too-rare sort of ambient subtlety that’s practiced only by a blessed few nowadays.
With the deftest touch and appreciation of spatial nuance, Kraft’s seven compositions grow with a sincerely serene, night-blooming quality that’s really hard to ignore if you’re susceptible to such stuff.
Entering with what sounds like a valium-smudged Peter Zummo performance in the melted brass tones of Body Heat, the record drifts from the moth-on-bulb percussion and evaporating pads of Bank to what could almost be a super minimalist Detroit Escalator Company cut in One Amongst Others, to wilt like a late summer Japanese garden soundtracked by Morton Feldman with Zé, and loll out into the rolling curves of Scripted Space and Further’s strangely unsettling, palsied structure and anaesthetised atmosphere.
Tip!
Boomkat Product Review:
With a title that uncomfortably lodges in the mind, What You Get For Being Young is a beautifully blue-tinged ambient meditation from L.A.’s Suzanne Kraft, notching up their 3rd vinyl for Jonny Nash’s excellent London-based label.
Like everything on the exquisite Melody As Truth label, What You Get For Being Young trades in a humbling and all-too-rare sort of ambient subtlety that’s practiced only by a blessed few nowadays.
With the deftest touch and appreciation of spatial nuance, Kraft’s seven compositions grow with a sincerely serene, night-blooming quality that’s really hard to ignore if you’re susceptible to such stuff.
Entering with what sounds like a valium-smudged Peter Zummo performance in the melted brass tones of Body Heat, the record drifts from the moth-on-bulb percussion and evaporating pads of Bank to what could almost be a super minimalist Detroit Escalator Company cut in One Amongst Others, to wilt like a late summer Japanese garden soundtracked by Morton Feldman with Zé, and loll out into the rolling curves of Scripted Space and Further’s strangely unsettling, palsied structure and anaesthetised atmosphere.
Tip!
Out of Stock
Boomkat Product Review:
With a title that uncomfortably lodges in the mind, What You Get For Being Young is a beautifully blue-tinged ambient meditation from L.A.’s Suzanne Kraft, notching up their 3rd vinyl for Jonny Nash’s excellent London-based label.
Like everything on the exquisite Melody As Truth label, What You Get For Being Young trades in a humbling and all-too-rare sort of ambient subtlety that’s practiced only by a blessed few nowadays.
With the deftest touch and appreciation of spatial nuance, Kraft’s seven compositions grow with a sincerely serene, night-blooming quality that’s really hard to ignore if you’re susceptible to such stuff.
Entering with what sounds like a valium-smudged Peter Zummo performance in the melted brass tones of Body Heat, the record drifts from the moth-on-bulb percussion and evaporating pads of Bank to what could almost be a super minimalist Detroit Escalator Company cut in One Amongst Others, to wilt like a late summer Japanese garden soundtracked by Morton Feldman with Zé, and loll out into the rolling curves of Scripted Space and Further’s strangely unsettling, palsied structure and anaesthetised atmosphere.
Tip!
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