Italian-Ethiopian-Eritrean artist, Jermay Michael Gabriel, and Italian, Giovanni Isgrò, explore Afro-futurist ecosystems and postcolonial trauma thru displaced traditional musics, backed with abstracted and club-ready remixes
Fronted by the distinctive mesh of syncopated rhythmic suss with Muna Mussie’s whispered Habesha voices and ululations in ‘Bet’, the EP works in a fine vein of Afro-Italo explorations also ventured by PAN's STILL, who turns up on another highlight ‘Fendika’, where they fuse forces in a sort of skittish singeli riddled with searing, processed, traditional fiddle. Plethora X continue to scythe their own path and pendulous slow/fast metric fuckery of ‘What U Mean’.
The remixes of lead cut ‘Bet’ all come from OOH-Sounds Florentine circle or internet pals, ranging from Lossssy’s (fka unperson) beatless, airborne extrusion, to Manchester duo WEȽ∝KER at their sharpest on an algorithmically disrupted version making great use of Mussie as mutant vocaloid, and Glass’ cloven-hoofed re-trot, reset with restless, Carrier-esque drum programming and spatialized sound design in that 3D bass.
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Italian-Ethiopian-Eritrean artist, Jermay Michael Gabriel, and Italian, Giovanni Isgrò, explore Afro-futurist ecosystems and postcolonial trauma thru displaced traditional musics, backed with abstracted and club-ready remixes
Fronted by the distinctive mesh of syncopated rhythmic suss with Muna Mussie’s whispered Habesha voices and ululations in ‘Bet’, the EP works in a fine vein of Afro-Italo explorations also ventured by PAN's STILL, who turns up on another highlight ‘Fendika’, where they fuse forces in a sort of skittish singeli riddled with searing, processed, traditional fiddle. Plethora X continue to scythe their own path and pendulous slow/fast metric fuckery of ‘What U Mean’.
The remixes of lead cut ‘Bet’ all come from OOH-Sounds Florentine circle or internet pals, ranging from Lossssy’s (fka unperson) beatless, airborne extrusion, to Manchester duo WEȽ∝KER at their sharpest on an algorithmically disrupted version making great use of Mussie as mutant vocaloid, and Glass’ cloven-hoofed re-trot, reset with restless, Carrier-esque drum programming and spatialized sound design in that 3D bass.
Italian-Ethiopian-Eritrean artist, Jermay Michael Gabriel, and Italian, Giovanni Isgrò, explore Afro-futurist ecosystems and postcolonial trauma thru displaced traditional musics, backed with abstracted and club-ready remixes
Fronted by the distinctive mesh of syncopated rhythmic suss with Muna Mussie’s whispered Habesha voices and ululations in ‘Bet’, the EP works in a fine vein of Afro-Italo explorations also ventured by PAN's STILL, who turns up on another highlight ‘Fendika’, where they fuse forces in a sort of skittish singeli riddled with searing, processed, traditional fiddle. Plethora X continue to scythe their own path and pendulous slow/fast metric fuckery of ‘What U Mean’.
The remixes of lead cut ‘Bet’ all come from OOH-Sounds Florentine circle or internet pals, ranging from Lossssy’s (fka unperson) beatless, airborne extrusion, to Manchester duo WEȽ∝KER at their sharpest on an algorithmically disrupted version making great use of Mussie as mutant vocaloid, and Glass’ cloven-hoofed re-trot, reset with restless, Carrier-esque drum programming and spatialized sound design in that 3D bass.
Italian-Ethiopian-Eritrean artist, Jermay Michael Gabriel, and Italian, Giovanni Isgrò, explore Afro-futurist ecosystems and postcolonial trauma thru displaced traditional musics, backed with abstracted and club-ready remixes
Fronted by the distinctive mesh of syncopated rhythmic suss with Muna Mussie’s whispered Habesha voices and ululations in ‘Bet’, the EP works in a fine vein of Afro-Italo explorations also ventured by PAN's STILL, who turns up on another highlight ‘Fendika’, where they fuse forces in a sort of skittish singeli riddled with searing, processed, traditional fiddle. Plethora X continue to scythe their own path and pendulous slow/fast metric fuckery of ‘What U Mean’.
The remixes of lead cut ‘Bet’ all come from OOH-Sounds Florentine circle or internet pals, ranging from Lossssy’s (fka unperson) beatless, airborne extrusion, to Manchester duo WEȽ∝KER at their sharpest on an algorithmically disrupted version making great use of Mussie as mutant vocaloid, and Glass’ cloven-hoofed re-trot, reset with restless, Carrier-esque drum programming and spatialized sound design in that 3D bass.
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Italian-Ethiopian-Eritrean artist, Jermay Michael Gabriel, and Italian, Giovanni Isgrò, explore Afro-futurist ecosystems and postcolonial trauma thru displaced traditional musics, backed with abstracted and club-ready remixes
Fronted by the distinctive mesh of syncopated rhythmic suss with Muna Mussie’s whispered Habesha voices and ululations in ‘Bet’, the EP works in a fine vein of Afro-Italo explorations also ventured by PAN's STILL, who turns up on another highlight ‘Fendika’, where they fuse forces in a sort of skittish singeli riddled with searing, processed, traditional fiddle. Plethora X continue to scythe their own path and pendulous slow/fast metric fuckery of ‘What U Mean’.
The remixes of lead cut ‘Bet’ all come from OOH-Sounds Florentine circle or internet pals, ranging from Lossssy’s (fka unperson) beatless, airborne extrusion, to Manchester duo WEȽ∝KER at their sharpest on an algorithmically disrupted version making great use of Mussie as mutant vocaloid, and Glass’ cloven-hoofed re-trot, reset with restless, Carrier-esque drum programming and spatialized sound design in that 3D bass.