Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
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Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
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Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years
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Temporary Residence Limited and City Slang hook up to release Volker Bertelmann's eighth full-length outing as Hauschka (includes two bonus tracks).
Never afraid of dabbling in concepts, Volker Bertelmann’s latest Hauschka album finds the German in inspired form exploring life on earth some thirty years into the future which extends to the hypothetical nature of each track title.
Seemingly not content with his reputation for inventive techniques with prepared piano, Bertelmann expands his instrumental remit on ‘What If’ through toying around with the pianola, a Roland Jupiter 4 synth and an Eventide H3000 Harmonizer.
This results in an even richer, more unpredictable Hauschka experience across the nine tracks with the titles seemingly conducting the mood of Bertelmann’s compositions. The apparent nervous, fidgeting energy of I Can’t Find Water, the solemn piano romanticism of I Can’t Express My Deep Love, and the playful instrumental harmonics of We Live a Thousand Years