Bugged out braindance and golden era US x UK dance music feeds into DJ 1985’s debut volley of streamlined, livewire hardware jams for AFX and DMX Krew fiends
Now based in Belgrade; DJ 1985 arrives at his first production showcase via an acclaimed Boiler Room and enduring passion for classic touchstones: Reflex Records, UR, New York and New Jersey’s halcyon daze. ‘We Trippin’’ squares up his lean and aerodynamic take on crafty early dance music templates, variously alloying Analord-type melodic flutter and harmonised acid with Jersey-ready bump on its title piece, thru the iridescent electromance of a ‘Dolphins & Sirens’, inspired by cetaceans who folic in the bay near Montenegro, where it was recorded, and thru to the use Vibert-alike retro-futurist acid charms of ‘Catland’ at a slower, suspension-lowering swagger shared by the proggy breakbeat disco promise of ‘The Last One’.
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Bugged out braindance and golden era US x UK dance music feeds into DJ 1985’s debut volley of streamlined, livewire hardware jams for AFX and DMX Krew fiends
Now based in Belgrade; DJ 1985 arrives at his first production showcase via an acclaimed Boiler Room and enduring passion for classic touchstones: Reflex Records, UR, New York and New Jersey’s halcyon daze. ‘We Trippin’’ squares up his lean and aerodynamic take on crafty early dance music templates, variously alloying Analord-type melodic flutter and harmonised acid with Jersey-ready bump on its title piece, thru the iridescent electromance of a ‘Dolphins & Sirens’, inspired by cetaceans who folic in the bay near Montenegro, where it was recorded, and thru to the use Vibert-alike retro-futurist acid charms of ‘Catland’ at a slower, suspension-lowering swagger shared by the proggy breakbeat disco promise of ‘The Last One’.
Bugged out braindance and golden era US x UK dance music feeds into DJ 1985’s debut volley of streamlined, livewire hardware jams for AFX and DMX Krew fiends
Now based in Belgrade; DJ 1985 arrives at his first production showcase via an acclaimed Boiler Room and enduring passion for classic touchstones: Reflex Records, UR, New York and New Jersey’s halcyon daze. ‘We Trippin’’ squares up his lean and aerodynamic take on crafty early dance music templates, variously alloying Analord-type melodic flutter and harmonised acid with Jersey-ready bump on its title piece, thru the iridescent electromance of a ‘Dolphins & Sirens’, inspired by cetaceans who folic in the bay near Montenegro, where it was recorded, and thru to the use Vibert-alike retro-futurist acid charms of ‘Catland’ at a slower, suspension-lowering swagger shared by the proggy breakbeat disco promise of ‘The Last One’.
Bugged out braindance and golden era US x UK dance music feeds into DJ 1985’s debut volley of streamlined, livewire hardware jams for AFX and DMX Krew fiends
Now based in Belgrade; DJ 1985 arrives at his first production showcase via an acclaimed Boiler Room and enduring passion for classic touchstones: Reflex Records, UR, New York and New Jersey’s halcyon daze. ‘We Trippin’’ squares up his lean and aerodynamic take on crafty early dance music templates, variously alloying Analord-type melodic flutter and harmonised acid with Jersey-ready bump on its title piece, thru the iridescent electromance of a ‘Dolphins & Sirens’, inspired by cetaceans who folic in the bay near Montenegro, where it was recorded, and thru to the use Vibert-alike retro-futurist acid charms of ‘Catland’ at a slower, suspension-lowering swagger shared by the proggy breakbeat disco promise of ‘The Last One’.
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Bugged out braindance and golden era US x UK dance music feeds into DJ 1985’s debut volley of streamlined, livewire hardware jams for AFX and DMX Krew fiends
Now based in Belgrade; DJ 1985 arrives at his first production showcase via an acclaimed Boiler Room and enduring passion for classic touchstones: Reflex Records, UR, New York and New Jersey’s halcyon daze. ‘We Trippin’’ squares up his lean and aerodynamic take on crafty early dance music templates, variously alloying Analord-type melodic flutter and harmonised acid with Jersey-ready bump on its title piece, thru the iridescent electromance of a ‘Dolphins & Sirens’, inspired by cetaceans who folic in the bay near Montenegro, where it was recorded, and thru to the use Vibert-alike retro-futurist acid charms of ‘Catland’ at a slower, suspension-lowering swagger shared by the proggy breakbeat disco promise of ‘The Last One’.