We Must Become the Pitiless Censors of Ourselves
A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.
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A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.
A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.
A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.
Reissue of this long out of print gem, pressed up on 180g heavyweight yellow vinyl LP. Includes download code. Audio has been sourced from the original masters and lacquers cut at Abbey Road Mastering.
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A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.
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A classic from academic and atrtist John Maus - sounding something like a cross between Autre Ne Veut and Joy Division - with a bit of Joe Jackson and Visage thrown in for good measure.
It's just one of those albums, it reminds you of something else almost constantly, yet leaves a smudged mark all its own on your psyche. This review from Jordan Redmond / Tiny Mix Tapes pretty much sums it up:
"Being an academic, John Maus understands the imperative to only release bodies of work that are conceptually sound and completely actualized. With Pitiless Censors, he sought to break into a new creative period but was disappointed that it was only a “consummation” or logical conclusion to the sound on his previous two widely-available albums (Songs and Love Is Real).
Based on the evidence here, Maus needn’t have any reservations about the body of work that he has released into the world. Pitiless Censors is a sparkling album, a lo-fi synth pop masterpiece that manages to give endless aural delights while still being intellectually engaging, and despite having been caught at the center of a whirlpool of current movements, all of which reflect some aspect of Maus’ style, he has only cemented his identity as a singular, unimpeachable figure. When confronted with music like this, it’s impossible not to be a believer.”
A must for lovers of affective pop music.