A standard bearer of classic, good times London moods & grooves cuts to Eglo with a jazz-toned, dub-wize and sumptuous brace of broken beat, house and UKG skippers sprinkled with beat poetry.
Liberally doused with keyboard showmanship but kept tucked tight in-the-pocket, ‘We Celebrate Us’ is an adoration of not just London-centric grooves, but the spectrum of Afro-diasporic dance music that links the city to NYC, Detroit, and the Chi.
Lead cut ‘Black’ summons early’70s spiritual jazz in a lush fusion of Afro-Latinate rare grooves adjacent Dego, setting the tone for for the finely modulated deep house groove control of his unravelling, Larry Heard-esque perler ‘Desolate Place (Find Me)’, and Akeem’s effusive poetry describing the Notting Hill Carnival on a 2-step swivel and saucy keys with ‘Intertwined Culture.’ Haseeb Iqbal continues the love for London in ‘Haseeb’s Interlude’, and in classic style Last Nubian serves versions on the back side with a writhing Ancient Dub of ‘Desolate Place’ and re-tucked dub of ‘Intertwined Culture’.
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A standard bearer of classic, good times London moods & grooves cuts to Eglo with a jazz-toned, dub-wize and sumptuous brace of broken beat, house and UKG skippers sprinkled with beat poetry.
Liberally doused with keyboard showmanship but kept tucked tight in-the-pocket, ‘We Celebrate Us’ is an adoration of not just London-centric grooves, but the spectrum of Afro-diasporic dance music that links the city to NYC, Detroit, and the Chi.
Lead cut ‘Black’ summons early’70s spiritual jazz in a lush fusion of Afro-Latinate rare grooves adjacent Dego, setting the tone for for the finely modulated deep house groove control of his unravelling, Larry Heard-esque perler ‘Desolate Place (Find Me)’, and Akeem’s effusive poetry describing the Notting Hill Carnival on a 2-step swivel and saucy keys with ‘Intertwined Culture.’ Haseeb Iqbal continues the love for London in ‘Haseeb’s Interlude’, and in classic style Last Nubian serves versions on the back side with a writhing Ancient Dub of ‘Desolate Place’ and re-tucked dub of ‘Intertwined Culture’.
A standard bearer of classic, good times London moods & grooves cuts to Eglo with a jazz-toned, dub-wize and sumptuous brace of broken beat, house and UKG skippers sprinkled with beat poetry.
Liberally doused with keyboard showmanship but kept tucked tight in-the-pocket, ‘We Celebrate Us’ is an adoration of not just London-centric grooves, but the spectrum of Afro-diasporic dance music that links the city to NYC, Detroit, and the Chi.
Lead cut ‘Black’ summons early’70s spiritual jazz in a lush fusion of Afro-Latinate rare grooves adjacent Dego, setting the tone for for the finely modulated deep house groove control of his unravelling, Larry Heard-esque perler ‘Desolate Place (Find Me)’, and Akeem’s effusive poetry describing the Notting Hill Carnival on a 2-step swivel and saucy keys with ‘Intertwined Culture.’ Haseeb Iqbal continues the love for London in ‘Haseeb’s Interlude’, and in classic style Last Nubian serves versions on the back side with a writhing Ancient Dub of ‘Desolate Place’ and re-tucked dub of ‘Intertwined Culture’.
A standard bearer of classic, good times London moods & grooves cuts to Eglo with a jazz-toned, dub-wize and sumptuous brace of broken beat, house and UKG skippers sprinkled with beat poetry.
Liberally doused with keyboard showmanship but kept tucked tight in-the-pocket, ‘We Celebrate Us’ is an adoration of not just London-centric grooves, but the spectrum of Afro-diasporic dance music that links the city to NYC, Detroit, and the Chi.
Lead cut ‘Black’ summons early’70s spiritual jazz in a lush fusion of Afro-Latinate rare grooves adjacent Dego, setting the tone for for the finely modulated deep house groove control of his unravelling, Larry Heard-esque perler ‘Desolate Place (Find Me)’, and Akeem’s effusive poetry describing the Notting Hill Carnival on a 2-step swivel and saucy keys with ‘Intertwined Culture.’ Haseeb Iqbal continues the love for London in ‘Haseeb’s Interlude’, and in classic style Last Nubian serves versions on the back side with a writhing Ancient Dub of ‘Desolate Place’ and re-tucked dub of ‘Intertwined Culture’.
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A standard bearer of classic, good times London moods & grooves cuts to Eglo with a jazz-toned, dub-wize and sumptuous brace of broken beat, house and UKG skippers sprinkled with beat poetry.
Liberally doused with keyboard showmanship but kept tucked tight in-the-pocket, ‘We Celebrate Us’ is an adoration of not just London-centric grooves, but the spectrum of Afro-diasporic dance music that links the city to NYC, Detroit, and the Chi.
Lead cut ‘Black’ summons early’70s spiritual jazz in a lush fusion of Afro-Latinate rare grooves adjacent Dego, setting the tone for for the finely modulated deep house groove control of his unravelling, Larry Heard-esque perler ‘Desolate Place (Find Me)’, and Akeem’s effusive poetry describing the Notting Hill Carnival on a 2-step swivel and saucy keys with ‘Intertwined Culture.’ Haseeb Iqbal continues the love for London in ‘Haseeb’s Interlude’, and in classic style Last Nubian serves versions on the back side with a writhing Ancient Dub of ‘Desolate Place’ and re-tucked dub of ‘Intertwined Culture’.