Boomkat Product Review:
Vladimir Ivkovic’s excellent Offen Music present a superb, long-lost album by Mitar Subotić a.k.a Suba, a Serbian producer who moved to Brazil in the ‘90s after making amazing, cinematic records as Rex Ilusivii, and whom sadly died in 1999 when on the cusp of becoming one of Brazil’s most prominent producers. If you’ve been following Offen Music’s amazing records by Toresch and Rex Ilusivii, fell hard for that CultureClash LP on Lost Futures, love Muslimgauze, or hanker for lush ’90s vibes that you’ve never heard before, this one’s a total must-check!
Originally realised in 1995 at Suba’s Wah Wah Studio in São Paolo, Brazil, only shortly after the release of Subotić’s album as part of the Angel’s Breath duo with Milan Mladenović, Wayang discretely echoed that album’s esoteric pop themes and, at the time, was intended as Suba’s début release. For reasons undisclosed, the album was shelved in the archive, and he eventually released São Paolo Confessions in 1999 as the first Suba album, proper.
It may have taken over 20 years, but Wayang now finally finds its audience, and at a time when the scene has been perfectly massaged by waves of interim reissues and especially the DJs sets of Vladimir Ivkovic and Lena Willikens, whose shared rhythmic senses find a lot of common roots in this record. From the almost-junglist temporality of its opening cut, thru flashes of tribal rhythmic psychedelia, to passages of arcane incantation and some blindingly avant arrangement strategy, Suba proves he is a visionary artist and storyteller with tales for days.
After swirling our swedes for the last few months, we can assure you that Wayang is a distinctly psychotropic episode from a richly imaginative producer, with a proper play it again and again factor that hasn’t diminished since we first heard it.