Polychromatic acid brilliance from EOD, back on Bjarki’s bbbbbb label with five zingers from 2011’s ‘EAP’ CD sure to resonate with Rephlexian types and lovers of melodic electronic dance music
Showing nuff hardware skills in each part, the EP yields some super shiny highlights between the gnashing drum programming and stacked harmonic complexities of ‘Warmwoods Mesh’, the mercurial and melancholy swoon of ‘(Untitled) (w-R6)’, along with the warped maze of filter gates and distended bass chaos of ‘The Battery Poles (Are Conic!)’, plus the deliquescent warehouse oddity of ‘CQC’, on of the most mind-bending acid trax we’ve heard in a minute.
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Polychromatic acid brilliance from EOD, back on Bjarki’s bbbbbb label with five zingers from 2011’s ‘EAP’ CD sure to resonate with Rephlexian types and lovers of melodic electronic dance music
Showing nuff hardware skills in each part, the EP yields some super shiny highlights between the gnashing drum programming and stacked harmonic complexities of ‘Warmwoods Mesh’, the mercurial and melancholy swoon of ‘(Untitled) (w-R6)’, along with the warped maze of filter gates and distended bass chaos of ‘The Battery Poles (Are Conic!)’, plus the deliquescent warehouse oddity of ‘CQC’, on of the most mind-bending acid trax we’ve heard in a minute.
Polychromatic acid brilliance from EOD, back on Bjarki’s bbbbbb label with five zingers from 2011’s ‘EAP’ CD sure to resonate with Rephlexian types and lovers of melodic electronic dance music
Showing nuff hardware skills in each part, the EP yields some super shiny highlights between the gnashing drum programming and stacked harmonic complexities of ‘Warmwoods Mesh’, the mercurial and melancholy swoon of ‘(Untitled) (w-R6)’, along with the warped maze of filter gates and distended bass chaos of ‘The Battery Poles (Are Conic!)’, plus the deliquescent warehouse oddity of ‘CQC’, on of the most mind-bending acid trax we’ve heard in a minute.
Polychromatic acid brilliance from EOD, back on Bjarki’s bbbbbb label with five zingers from 2011’s ‘EAP’ CD sure to resonate with Rephlexian types and lovers of melodic electronic dance music
Showing nuff hardware skills in each part, the EP yields some super shiny highlights between the gnashing drum programming and stacked harmonic complexities of ‘Warmwoods Mesh’, the mercurial and melancholy swoon of ‘(Untitled) (w-R6)’, along with the warped maze of filter gates and distended bass chaos of ‘The Battery Poles (Are Conic!)’, plus the deliquescent warehouse oddity of ‘CQC’, on of the most mind-bending acid trax we’ve heard in a minute.
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Polychromatic acid brilliance from EOD, back on Bjarki’s bbbbbb label with five zingers from 2011’s ‘EAP’ CD sure to resonate with Rephlexian types and lovers of melodic electronic dance music
Showing nuff hardware skills in each part, the EP yields some super shiny highlights between the gnashing drum programming and stacked harmonic complexities of ‘Warmwoods Mesh’, the mercurial and melancholy swoon of ‘(Untitled) (w-R6)’, along with the warped maze of filter gates and distended bass chaos of ‘The Battery Poles (Are Conic!)’, plus the deliquescent warehouse oddity of ‘CQC’, on of the most mind-bending acid trax we’ve heard in a minute.