A strong look for Constellation and GY!BE fiends: Eric Quach’s Montreal supergroup octet summon majestically weather-beaten post-rock panoramas on their vinyl debut with august Belgian label Sub Rosa.
Counting members of Godspeed You! Black Emperor, Exhaust, Hanged Up, Avec Le Soleil Sortant De Sa Bouche, and more; Pangea De Futura consolidate aspects of motorik krautrock, drone, ambient, and noise under the banner of post-rock - aka the Future Sound of Montreal - with a pent up but disciplined sense of instrumental expression in the 4-part arc of ‘War Milk’. Operating on well-trodden ground, they still manage to make a virtue of that classic Constellation thrust into the future, which, if their moniker is anything to go by, is roughly 250 million years from now, when continental drift will reshuffle tectonic plates to a Pangea de Futura.
Their sound is follows thru on that expansive temporal promise with a proper big band’s grasp of scale and drama, pitting a trio of drummers (Aidan Girt, Eric Craven, Samuel Bobony), and as many wielding brass (Reuel Ordonez, Véronique Janosy, Neboysha Rakic), against the lead guitar wail of Eric Quach and Charles Bussières’ synth textures in arrangements that mostly take up to and over 10 minutes to speak their piece. In broken motorik rhythms lashed with elemental brass and they arrive at an early peak in the 13 mins of ‘Little Black Eyes’, coming down to the simmering breaks and spectral harmonic textures in a way recalling The Necks on ‘With Many Legs’, before moving ever outward in the radiant post-rock drone scope and intensity of ‘Global Ocean’, and finely ending the album in the voluminous shred and psych-folk sway of ‘Laurasia Coin’.
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Purple Vinyl
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A strong look for Constellation and GY!BE fiends: Eric Quach’s Montreal supergroup octet summon majestically weather-beaten post-rock panoramas on their vinyl debut with august Belgian label Sub Rosa.
Counting members of Godspeed You! Black Emperor, Exhaust, Hanged Up, Avec Le Soleil Sortant De Sa Bouche, and more; Pangea De Futura consolidate aspects of motorik krautrock, drone, ambient, and noise under the banner of post-rock - aka the Future Sound of Montreal - with a pent up but disciplined sense of instrumental expression in the 4-part arc of ‘War Milk’. Operating on well-trodden ground, they still manage to make a virtue of that classic Constellation thrust into the future, which, if their moniker is anything to go by, is roughly 250 million years from now, when continental drift will reshuffle tectonic plates to a Pangea de Futura.
Their sound is follows thru on that expansive temporal promise with a proper big band’s grasp of scale and drama, pitting a trio of drummers (Aidan Girt, Eric Craven, Samuel Bobony), and as many wielding brass (Reuel Ordonez, Véronique Janosy, Neboysha Rakic), against the lead guitar wail of Eric Quach and Charles Bussières’ synth textures in arrangements that mostly take up to and over 10 minutes to speak their piece. In broken motorik rhythms lashed with elemental brass and they arrive at an early peak in the 13 mins of ‘Little Black Eyes’, coming down to the simmering breaks and spectral harmonic textures in a way recalling The Necks on ‘With Many Legs’, before moving ever outward in the radiant post-rock drone scope and intensity of ‘Global Ocean’, and finely ending the album in the voluminous shred and psych-folk sway of ‘Laurasia Coin’.