Walls, Corridors, Baffles
Samuel Savenberg diffracts the ballistic noise shrapnel of his recent Haunter 12” into the darker spaces of ‘Walls, Corridors, Baffles’ for Lucerne’s Präsen Editionen
Obsessively detailed and structured with close attention to the dynamics of tension and release, ‘Walls, Corridors, Baffles’ is an 8 part expression of atavistic rhythm urges and biting point tonal harshness that ranks among SSSS’s most powerful recordings.
Swerving any concepts in favour of a future-primitive approach to his machines and software, SSSS follows his nose down narrowing ginnels of noise to scenes of destructive drones and splintering rhythms exploding in thick air, placing his full electro-acoustic vocabulary at the service of a gurning, twisted tale of excess and contemplative darkness.
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Samuel Savenberg diffracts the ballistic noise shrapnel of his recent Haunter 12” into the darker spaces of ‘Walls, Corridors, Baffles’ for Lucerne’s Präsen Editionen
Obsessively detailed and structured with close attention to the dynamics of tension and release, ‘Walls, Corridors, Baffles’ is an 8 part expression of atavistic rhythm urges and biting point tonal harshness that ranks among SSSS’s most powerful recordings.
Swerving any concepts in favour of a future-primitive approach to his machines and software, SSSS follows his nose down narrowing ginnels of noise to scenes of destructive drones and splintering rhythms exploding in thick air, placing his full electro-acoustic vocabulary at the service of a gurning, twisted tale of excess and contemplative darkness.
Samuel Savenberg diffracts the ballistic noise shrapnel of his recent Haunter 12” into the darker spaces of ‘Walls, Corridors, Baffles’ for Lucerne’s Präsen Editionen
Obsessively detailed and structured with close attention to the dynamics of tension and release, ‘Walls, Corridors, Baffles’ is an 8 part expression of atavistic rhythm urges and biting point tonal harshness that ranks among SSSS’s most powerful recordings.
Swerving any concepts in favour of a future-primitive approach to his machines and software, SSSS follows his nose down narrowing ginnels of noise to scenes of destructive drones and splintering rhythms exploding in thick air, placing his full electro-acoustic vocabulary at the service of a gurning, twisted tale of excess and contemplative darkness.
Samuel Savenberg diffracts the ballistic noise shrapnel of his recent Haunter 12” into the darker spaces of ‘Walls, Corridors, Baffles’ for Lucerne’s Präsen Editionen
Obsessively detailed and structured with close attention to the dynamics of tension and release, ‘Walls, Corridors, Baffles’ is an 8 part expression of atavistic rhythm urges and biting point tonal harshness that ranks among SSSS’s most powerful recordings.
Swerving any concepts in favour of a future-primitive approach to his machines and software, SSSS follows his nose down narrowing ginnels of noise to scenes of destructive drones and splintering rhythms exploding in thick air, placing his full electro-acoustic vocabulary at the service of a gurning, twisted tale of excess and contemplative darkness.
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Samuel Savenberg diffracts the ballistic noise shrapnel of his recent Haunter 12” into the darker spaces of ‘Walls, Corridors, Baffles’ for Lucerne’s Präsen Editionen
Obsessively detailed and structured with close attention to the dynamics of tension and release, ‘Walls, Corridors, Baffles’ is an 8 part expression of atavistic rhythm urges and biting point tonal harshness that ranks among SSSS’s most powerful recordings.
Swerving any concepts in favour of a future-primitive approach to his machines and software, SSSS follows his nose down narrowing ginnels of noise to scenes of destructive drones and splintering rhythms exploding in thick air, placing his full electro-acoustic vocabulary at the service of a gurning, twisted tale of excess and contemplative darkness.