WaJazz: Japanese Jazz Spectacle Vol.I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984 - The Nippon Columbia masters
Various Artists
WaJazz: Japanese Jazz Spectacle Vol.I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984 - The Nippon Columbia masters
Boomkat Product Review:
Yusuke Ogawa selects a diverse set of Japanese jazz deep cuts from the Nippon Columbia vaults, with WaJazz classics from Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki and others.
While Japan's interest in jazz is well documented, it's taken decades for the country's homegrown jazz to achieve interest from outside the rare groove scene. In the 2000s, Japan began to reevaluate its jazz history, referring to the music as "WaJazz" and establishing it as its own specific genre - connected to US jazz traditions but also existing on its own. Yusuke Ogawa is perhaps the country's foremost expert on WeJazz, he's been running Tokyo's collector-centric Universounds store since 2001, and he's also supervised dozens of reissues and compilations, as well as lending his expertise to the WaJazz Disc Guide and the Independent Black Jazz of America books.
Ogawa notes that on this selection of tracks, there's "something uniquely Japanese flowing through that creates a kind of synergy." On the surface, the modern jazz flow of Takeo Moriyama's 'Watarase' might sound familiar, but look a little closer - those flutes! - and its Japanese qualities rise high above. Elsewhere, Tadaaki Misago & Tokyo Cuban Boys' 'Sakura Sakura' is a cinematic Blaxploitation-style groover, but skronks in the most unexpected places, while Soul Media's 'Breeze' augments loose, lite funk with Japanese percussion in the most subtle way. From beginning to end, this is sublimely high quality material that shines a bright light on a scene that's well deserving of closer attention.
View more
Boomkat Product Review:
Yusuke Ogawa selects a diverse set of Japanese jazz deep cuts from the Nippon Columbia vaults, with WaJazz classics from Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki and others.
While Japan's interest in jazz is well documented, it's taken decades for the country's homegrown jazz to achieve interest from outside the rare groove scene. In the 2000s, Japan began to reevaluate its jazz history, referring to the music as "WaJazz" and establishing it as its own specific genre - connected to US jazz traditions but also existing on its own. Yusuke Ogawa is perhaps the country's foremost expert on WeJazz, he's been running Tokyo's collector-centric Universounds store since 2001, and he's also supervised dozens of reissues and compilations, as well as lending his expertise to the WaJazz Disc Guide and the Independent Black Jazz of America books.
Ogawa notes that on this selection of tracks, there's "something uniquely Japanese flowing through that creates a kind of synergy." On the surface, the modern jazz flow of Takeo Moriyama's 'Watarase' might sound familiar, but look a little closer - those flutes! - and its Japanese qualities rise high above. Elsewhere, Tadaaki Misago & Tokyo Cuban Boys' 'Sakura Sakura' is a cinematic Blaxploitation-style groover, but skronks in the most unexpected places, while Soul Media's 'Breeze' augments loose, lite funk with Japanese percussion in the most subtle way. From beginning to end, this is sublimely high quality material that shines a bright light on a scene that's well deserving of closer attention.
Boomkat Product Review:
Yusuke Ogawa selects a diverse set of Japanese jazz deep cuts from the Nippon Columbia vaults, with WaJazz classics from Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki and others.
While Japan's interest in jazz is well documented, it's taken decades for the country's homegrown jazz to achieve interest from outside the rare groove scene. In the 2000s, Japan began to reevaluate its jazz history, referring to the music as "WaJazz" and establishing it as its own specific genre - connected to US jazz traditions but also existing on its own. Yusuke Ogawa is perhaps the country's foremost expert on WeJazz, he's been running Tokyo's collector-centric Universounds store since 2001, and he's also supervised dozens of reissues and compilations, as well as lending his expertise to the WaJazz Disc Guide and the Independent Black Jazz of America books.
Ogawa notes that on this selection of tracks, there's "something uniquely Japanese flowing through that creates a kind of synergy." On the surface, the modern jazz flow of Takeo Moriyama's 'Watarase' might sound familiar, but look a little closer - those flutes! - and its Japanese qualities rise high above. Elsewhere, Tadaaki Misago & Tokyo Cuban Boys' 'Sakura Sakura' is a cinematic Blaxploitation-style groover, but skronks in the most unexpected places, while Soul Media's 'Breeze' augments loose, lite funk with Japanese percussion in the most subtle way. From beginning to end, this is sublimely high quality material that shines a bright light on a scene that's well deserving of closer attention.
Boomkat Product Review:
Yusuke Ogawa selects a diverse set of Japanese jazz deep cuts from the Nippon Columbia vaults, with WaJazz classics from Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki and others.
While Japan's interest in jazz is well documented, it's taken decades for the country's homegrown jazz to achieve interest from outside the rare groove scene. In the 2000s, Japan began to reevaluate its jazz history, referring to the music as "WaJazz" and establishing it as its own specific genre - connected to US jazz traditions but also existing on its own. Yusuke Ogawa is perhaps the country's foremost expert on WeJazz, he's been running Tokyo's collector-centric Universounds store since 2001, and he's also supervised dozens of reissues and compilations, as well as lending his expertise to the WaJazz Disc Guide and the Independent Black Jazz of America books.
Ogawa notes that on this selection of tracks, there's "something uniquely Japanese flowing through that creates a kind of synergy." On the surface, the modern jazz flow of Takeo Moriyama's 'Watarase' might sound familiar, but look a little closer - those flutes! - and its Japanese qualities rise high above. Elsewhere, Tadaaki Misago & Tokyo Cuban Boys' 'Sakura Sakura' is a cinematic Blaxploitation-style groover, but skronks in the most unexpected places, while Soul Media's 'Breeze' augments loose, lite funk with Japanese percussion in the most subtle way. From beginning to end, this is sublimely high quality material that shines a bright light on a scene that's well deserving of closer attention.
Double LP in a gatefold sleeve.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Yusuke Ogawa selects a diverse set of Japanese jazz deep cuts from the Nippon Columbia vaults, with WaJazz classics from Jiro Inagaki, Minoru Muraoka, Hiroshi Suzuki and others.
While Japan's interest in jazz is well documented, it's taken decades for the country's homegrown jazz to achieve interest from outside the rare groove scene. In the 2000s, Japan began to reevaluate its jazz history, referring to the music as "WaJazz" and establishing it as its own specific genre - connected to US jazz traditions but also existing on its own. Yusuke Ogawa is perhaps the country's foremost expert on WeJazz, he's been running Tokyo's collector-centric Universounds store since 2001, and he's also supervised dozens of reissues and compilations, as well as lending his expertise to the WaJazz Disc Guide and the Independent Black Jazz of America books.
Ogawa notes that on this selection of tracks, there's "something uniquely Japanese flowing through that creates a kind of synergy." On the surface, the modern jazz flow of Takeo Moriyama's 'Watarase' might sound familiar, but look a little closer - those flutes! - and its Japanese qualities rise high above. Elsewhere, Tadaaki Misago & Tokyo Cuban Boys' 'Sakura Sakura' is a cinematic Blaxploitation-style groover, but skronks in the most unexpected places, while Soul Media's 'Breeze' augments loose, lite funk with Japanese percussion in the most subtle way. From beginning to end, this is sublimely high quality material that shines a bright light on a scene that's well deserving of closer attention.
More from Various Artists:
-
Various Artists Cease & Resist - Sonic Subversion & Anarcho Punk in the UK 1979-1986 Optimo Music Indie / Alternative- 2LP (Black Vinyl)
-
Various Artists America Dream Reserve Smiling C Disco / Boogie / Funk
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
- 2LP (Black Vinyl)
-
Various Artists yet Tresor Records Techno / House
- MP3
- FLAC
- WAV
- 3LP
-
Various Artists Random and Emblematic: The Sound of Space Modern Obscure Music Modern Classical / Ambient
- MP3
- FLAC
- WAV
- 2LP (Black Vinyl)
-
Various Artists Happy Land Above Board Projects Electronic
- MP3
- FLAC
- WAV
More from 180g:
-
FREE MP3 WITH VINYLTAKESHI TERAUCHI Eleki Bushi 1966-1974 180g Indie / Alternative
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Various Artists WaJazz: Japanese Jazz Spectacle Vol.II - Deep, Heavy and Beautiful Jazz from Japan 1962-1985 - The King Records Masters 180g Jazz / Fusion
- 2LP (Black Vinyl)
-
FREE MP3 WITH VINYLMinoru Fushimi Thanatos Of Funk 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
FREE MP3 WITH VINYLKiyoshi Yamaya Wamono Groove: Shakuhachi & Koto Jazz Funk '76 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
- LP (Black Vinyl)
-
Hoodoo Fushimi Kenka Oyaji 180g Disco / Boogie / Funk
- MP3
- FLAC
- WAV
People who bought this also bought:
-
The Kyoto Connection Postcards ISLE OF JURA RECORDS Modern Classical / Ambient
- LP (Black Vinyl)