void beats/invocation trex
Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.
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Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.
Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.
Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.
Triple vinyl edition, includes download code.
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Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.
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Stereolab’s Tim Gane and Joe Dilworth meet multi-instrumentalist Holger Zapf, Spacemen 3’s Sonic Boom, MoM’s Jan St. Werner, and Deerhunter’s Bradford Cox in the Cavern of Anti-Matter.
Void Beats/Invocation Trex marks up their 2nd LP journey since 2013’s Blood-Drums and follows on from a string of 7” & 12” releases over the last few years, most recently for Ghost Box.
This is essentially a clique of highly skooled kosmiche fiends plotting a map for their own star system, using ancient sextants, synthesisers and DNA to scale from a 13 minute motorik introduction thru ace dark wave electro, avian krautrock flights, and proto hi-tech jazz jams via spaced-out dance pop and serene ’60s/‘70s sci-fi themes.