CTM
Vind
Boomkat Product Review:
TLF Trio cellist Cæcilie Trier with a suite of stately, modal chamber works for 15 Love, in the wake of releases by ML Buch, Jordan Playfair, and SLIM0.
15 years since first striking out solo as Bells & Chimes, in which time she has become an in-demand contributor to countless records, and most recently as part of the acclaimed TLF Trio, Cæcilie Trier Music has become the main vehicle for one of Denmark’s standout composers and performers.
After touching on strands of pop and ambient adjacent styles in the past decade, ‘Vind’ locates her in experimental chamber classical zones on a dozen succinct parts that display the range of her instrumental discipline and tile up to a beguiling mosaic, enhanced in its details by additional touches of non-traditional sounds, such as the Persian daf drum played by Jaleh Negari, and Dawda Jobarteh’s kora, alongside the more standard flute of Ned ferm and Rune Kielsgaard’s cymbals.
Initiating with what sounds like an isolated string part to a Kate Bush song in the strikingly bright and stately movement of ‘Drama’, the album plays out a shifting weather pattern of emotions from the elemental shapes of ‘Vind’ recalling Laura Cannell and Mica Levi’s freedoms, thru the baroque refinement of ‘Hold You’ elegantly suspended in still air akin TLF Trio works, to an almost lusting ’Summer’ where she’s really feeling herself. The Persian daf lends a taut drive to the concatenated urgency of ‘Getting Lost’, which ideally sets up the breathing centrepiece of jagged, repetitve intensity to ‘Trance’, that resolves with soundtrack pieces ‘Stairs’ from he film ‘Stellectric Signs’ by Julia Sjölin. We’re not sure if there’s electronic post-production in closer ‘For Jannis’, or a very crafty display of her skills, but it’s an ideal sign off to an impressive album.
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Boomkat Product Review:
TLF Trio cellist Cæcilie Trier with a suite of stately, modal chamber works for 15 Love, in the wake of releases by ML Buch, Jordan Playfair, and SLIM0.
15 years since first striking out solo as Bells & Chimes, in which time she has become an in-demand contributor to countless records, and most recently as part of the acclaimed TLF Trio, Cæcilie Trier Music has become the main vehicle for one of Denmark’s standout composers and performers.
After touching on strands of pop and ambient adjacent styles in the past decade, ‘Vind’ locates her in experimental chamber classical zones on a dozen succinct parts that display the range of her instrumental discipline and tile up to a beguiling mosaic, enhanced in its details by additional touches of non-traditional sounds, such as the Persian daf drum played by Jaleh Negari, and Dawda Jobarteh’s kora, alongside the more standard flute of Ned ferm and Rune Kielsgaard’s cymbals.
Initiating with what sounds like an isolated string part to a Kate Bush song in the strikingly bright and stately movement of ‘Drama’, the album plays out a shifting weather pattern of emotions from the elemental shapes of ‘Vind’ recalling Laura Cannell and Mica Levi’s freedoms, thru the baroque refinement of ‘Hold You’ elegantly suspended in still air akin TLF Trio works, to an almost lusting ’Summer’ where she’s really feeling herself. The Persian daf lends a taut drive to the concatenated urgency of ‘Getting Lost’, which ideally sets up the breathing centrepiece of jagged, repetitve intensity to ‘Trance’, that resolves with soundtrack pieces ‘Stairs’ from he film ‘Stellectric Signs’ by Julia Sjölin. We’re not sure if there’s electronic post-production in closer ‘For Jannis’, or a very crafty display of her skills, but it’s an ideal sign off to an impressive album.
Boomkat Product Review:
TLF Trio cellist Cæcilie Trier with a suite of stately, modal chamber works for 15 Love, in the wake of releases by ML Buch, Jordan Playfair, and SLIM0.
15 years since first striking out solo as Bells & Chimes, in which time she has become an in-demand contributor to countless records, and most recently as part of the acclaimed TLF Trio, Cæcilie Trier Music has become the main vehicle for one of Denmark’s standout composers and performers.
After touching on strands of pop and ambient adjacent styles in the past decade, ‘Vind’ locates her in experimental chamber classical zones on a dozen succinct parts that display the range of her instrumental discipline and tile up to a beguiling mosaic, enhanced in its details by additional touches of non-traditional sounds, such as the Persian daf drum played by Jaleh Negari, and Dawda Jobarteh’s kora, alongside the more standard flute of Ned ferm and Rune Kielsgaard’s cymbals.
Initiating with what sounds like an isolated string part to a Kate Bush song in the strikingly bright and stately movement of ‘Drama’, the album plays out a shifting weather pattern of emotions from the elemental shapes of ‘Vind’ recalling Laura Cannell and Mica Levi’s freedoms, thru the baroque refinement of ‘Hold You’ elegantly suspended in still air akin TLF Trio works, to an almost lusting ’Summer’ where she’s really feeling herself. The Persian daf lends a taut drive to the concatenated urgency of ‘Getting Lost’, which ideally sets up the breathing centrepiece of jagged, repetitve intensity to ‘Trance’, that resolves with soundtrack pieces ‘Stairs’ from he film ‘Stellectric Signs’ by Julia Sjölin. We’re not sure if there’s electronic post-production in closer ‘For Jannis’, or a very crafty display of her skills, but it’s an ideal sign off to an impressive album.
Boomkat Product Review:
TLF Trio cellist Cæcilie Trier with a suite of stately, modal chamber works for 15 Love, in the wake of releases by ML Buch, Jordan Playfair, and SLIM0.
15 years since first striking out solo as Bells & Chimes, in which time she has become an in-demand contributor to countless records, and most recently as part of the acclaimed TLF Trio, Cæcilie Trier Music has become the main vehicle for one of Denmark’s standout composers and performers.
After touching on strands of pop and ambient adjacent styles in the past decade, ‘Vind’ locates her in experimental chamber classical zones on a dozen succinct parts that display the range of her instrumental discipline and tile up to a beguiling mosaic, enhanced in its details by additional touches of non-traditional sounds, such as the Persian daf drum played by Jaleh Negari, and Dawda Jobarteh’s kora, alongside the more standard flute of Ned ferm and Rune Kielsgaard’s cymbals.
Initiating with what sounds like an isolated string part to a Kate Bush song in the strikingly bright and stately movement of ‘Drama’, the album plays out a shifting weather pattern of emotions from the elemental shapes of ‘Vind’ recalling Laura Cannell and Mica Levi’s freedoms, thru the baroque refinement of ‘Hold You’ elegantly suspended in still air akin TLF Trio works, to an almost lusting ’Summer’ where she’s really feeling herself. The Persian daf lends a taut drive to the concatenated urgency of ‘Getting Lost’, which ideally sets up the breathing centrepiece of jagged, repetitve intensity to ‘Trance’, that resolves with soundtrack pieces ‘Stairs’ from he film ‘Stellectric Signs’ by Julia Sjölin. We’re not sure if there’s electronic post-production in closer ‘For Jannis’, or a very crafty display of her skills, but it’s an ideal sign off to an impressive album.
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Boomkat Product Review:
TLF Trio cellist Cæcilie Trier with a suite of stately, modal chamber works for 15 Love, in the wake of releases by ML Buch, Jordan Playfair, and SLIM0.
15 years since first striking out solo as Bells & Chimes, in which time she has become an in-demand contributor to countless records, and most recently as part of the acclaimed TLF Trio, Cæcilie Trier Music has become the main vehicle for one of Denmark’s standout composers and performers.
After touching on strands of pop and ambient adjacent styles in the past decade, ‘Vind’ locates her in experimental chamber classical zones on a dozen succinct parts that display the range of her instrumental discipline and tile up to a beguiling mosaic, enhanced in its details by additional touches of non-traditional sounds, such as the Persian daf drum played by Jaleh Negari, and Dawda Jobarteh’s kora, alongside the more standard flute of Ned ferm and Rune Kielsgaard’s cymbals.
Initiating with what sounds like an isolated string part to a Kate Bush song in the strikingly bright and stately movement of ‘Drama’, the album plays out a shifting weather pattern of emotions from the elemental shapes of ‘Vind’ recalling Laura Cannell and Mica Levi’s freedoms, thru the baroque refinement of ‘Hold You’ elegantly suspended in still air akin TLF Trio works, to an almost lusting ’Summer’ where she’s really feeling herself. The Persian daf lends a taut drive to the concatenated urgency of ‘Getting Lost’, which ideally sets up the breathing centrepiece of jagged, repetitve intensity to ‘Trance’, that resolves with soundtrack pieces ‘Stairs’ from he film ‘Stellectric Signs’ by Julia Sjölin. We’re not sure if there’s electronic post-production in closer ‘For Jannis’, or a very crafty display of her skills, but it’s an ideal sign off to an impressive album.
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