Boomkat Product Review:
Mastering & Additional Production By Lawrence English
"I’ve told this story before, but memories that recur in your life only become more critical as you revisit them. Sometime in the early to mid 00s, I was on tour in Japan. I was playing at the now closed venue Bridge in Tennoji. It was one of my favourite venues in Japan, mostly as Tennoji still holds those secrets of Japan’s 20TH century history; the nocturnal, dreamlike sensibilities that reach out to us from beyond; much like, Chris Marker’s San Soleil observes.
During this concert, I was joined by an artist whose work I wasn’t familiar with at that time, Ytamo. By the end of her set however I was completely spellbound by her unusual sense of harmony, minimal repetitious piano patterning and her ability to move between seemingly unrelated musical structures in ways that acoustically melted from one movement to another.
Over the past 15 years, my interest in her work has not waned. A few years ago we released Mi Wo on Someone Good, a milestone recording for her and one I did not think she could easily eclipse. With Vacant however, she does just that."