Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus cast some of their darkest shapes yet as die Angel on this charred debut for Karlrecords
‘Utopien I’ manifests a conceptual follow-up to 2017’s ‘Entropien I’ side for Shapednoise’s Cosmo Rhythmatic. Its four track shift between invasive swarms of sentinel bot drone noise in ‘Epikouros’, to gloomy, depressed states of avant-rock miniamlism recalling Pan Sonic’s jams with Keiji Haino on ‘Cargo Cult’, and farther out into spirit gnawing textural attrition on ‘Coup d’État’, and ten minutes of torture chamber ambience in ‘Khormanoupka’.
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Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus cast some of their darkest shapes yet as die Angel on this charred debut for Karlrecords
‘Utopien I’ manifests a conceptual follow-up to 2017’s ‘Entropien I’ side for Shapednoise’s Cosmo Rhythmatic. Its four track shift between invasive swarms of sentinel bot drone noise in ‘Epikouros’, to gloomy, depressed states of avant-rock miniamlism recalling Pan Sonic’s jams with Keiji Haino on ‘Cargo Cult’, and farther out into spirit gnawing textural attrition on ‘Coup d’État’, and ten minutes of torture chamber ambience in ‘Khormanoupka’.
Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus cast some of their darkest shapes yet as die Angel on this charred debut for Karlrecords
‘Utopien I’ manifests a conceptual follow-up to 2017’s ‘Entropien I’ side for Shapednoise’s Cosmo Rhythmatic. Its four track shift between invasive swarms of sentinel bot drone noise in ‘Epikouros’, to gloomy, depressed states of avant-rock miniamlism recalling Pan Sonic’s jams with Keiji Haino on ‘Cargo Cult’, and farther out into spirit gnawing textural attrition on ‘Coup d’État’, and ten minutes of torture chamber ambience in ‘Khormanoupka’.
Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus cast some of their darkest shapes yet as die Angel on this charred debut for Karlrecords
‘Utopien I’ manifests a conceptual follow-up to 2017’s ‘Entropien I’ side for Shapednoise’s Cosmo Rhythmatic. Its four track shift between invasive swarms of sentinel bot drone noise in ‘Epikouros’, to gloomy, depressed states of avant-rock miniamlism recalling Pan Sonic’s jams with Keiji Haino on ‘Cargo Cult’, and farther out into spirit gnawing textural attrition on ‘Coup d’État’, and ten minutes of torture chamber ambience in ‘Khormanoupka’.
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Pan Sonic’s Ilpo Väisänen and Dirk Dresselhaus cast some of their darkest shapes yet as die Angel on this charred debut for Karlrecords
‘Utopien I’ manifests a conceptual follow-up to 2017’s ‘Entropien I’ side for Shapednoise’s Cosmo Rhythmatic. Its four track shift between invasive swarms of sentinel bot drone noise in ‘Epikouros’, to gloomy, depressed states of avant-rock miniamlism recalling Pan Sonic’s jams with Keiji Haino on ‘Cargo Cult’, and farther out into spirit gnawing textural attrition on ‘Coup d’État’, and ten minutes of torture chamber ambience in ‘Khormanoupka’.