Shadowy Berlin techno stalwarts Pom Pom sell up to Ostgut’s A-TON with a typically enigmatic album of murky ambient, industrial and electronica
For years the preserve of techno neeks and anyone intrigued by the racks of identikit black labelled and sleeved 12”s in X-Berg’s Hardwax and Space Hall racks, Pom Pom has done well to maintain its anonymity in a the current, hyper-commercialised and surface level state of things in techno right now.
Still, nobody has a clue who’s behind the label, apart from maybe A-TON, who bring the artist(s)/label to a wider audience with ‘Untitled II’, which, to our ears, sounds like the work of more than one person, as it ranges from comedown drones to purring electro offcuts and arpeggiated nightflights with a subtle shift in accents that, to be fair, could be the work of one as much as many.
Who knows?
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Shadowy Berlin techno stalwarts Pom Pom sell up to Ostgut’s A-TON with a typically enigmatic album of murky ambient, industrial and electronica
For years the preserve of techno neeks and anyone intrigued by the racks of identikit black labelled and sleeved 12”s in X-Berg’s Hardwax and Space Hall racks, Pom Pom has done well to maintain its anonymity in a the current, hyper-commercialised and surface level state of things in techno right now.
Still, nobody has a clue who’s behind the label, apart from maybe A-TON, who bring the artist(s)/label to a wider audience with ‘Untitled II’, which, to our ears, sounds like the work of more than one person, as it ranges from comedown drones to purring electro offcuts and arpeggiated nightflights with a subtle shift in accents that, to be fair, could be the work of one as much as many.
Who knows?
Shadowy Berlin techno stalwarts Pom Pom sell up to Ostgut’s A-TON with a typically enigmatic album of murky ambient, industrial and electronica
For years the preserve of techno neeks and anyone intrigued by the racks of identikit black labelled and sleeved 12”s in X-Berg’s Hardwax and Space Hall racks, Pom Pom has done well to maintain its anonymity in a the current, hyper-commercialised and surface level state of things in techno right now.
Still, nobody has a clue who’s behind the label, apart from maybe A-TON, who bring the artist(s)/label to a wider audience with ‘Untitled II’, which, to our ears, sounds like the work of more than one person, as it ranges from comedown drones to purring electro offcuts and arpeggiated nightflights with a subtle shift in accents that, to be fair, could be the work of one as much as many.
Who knows?
Shadowy Berlin techno stalwarts Pom Pom sell up to Ostgut’s A-TON with a typically enigmatic album of murky ambient, industrial and electronica
For years the preserve of techno neeks and anyone intrigued by the racks of identikit black labelled and sleeved 12”s in X-Berg’s Hardwax and Space Hall racks, Pom Pom has done well to maintain its anonymity in a the current, hyper-commercialised and surface level state of things in techno right now.
Still, nobody has a clue who’s behind the label, apart from maybe A-TON, who bring the artist(s)/label to a wider audience with ‘Untitled II’, which, to our ears, sounds like the work of more than one person, as it ranges from comedown drones to purring electro offcuts and arpeggiated nightflights with a subtle shift in accents that, to be fair, could be the work of one as much as many.
Who knows?
Custom, letter-press printed jacket. Includes download code
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Shadowy Berlin techno stalwarts Pom Pom sell up to Ostgut’s A-TON with a typically enigmatic album of murky ambient, industrial and electronica
For years the preserve of techno neeks and anyone intrigued by the racks of identikit black labelled and sleeved 12”s in X-Berg’s Hardwax and Space Hall racks, Pom Pom has done well to maintain its anonymity in a the current, hyper-commercialised and surface level state of things in techno right now.
Still, nobody has a clue who’s behind the label, apart from maybe A-TON, who bring the artist(s)/label to a wider audience with ‘Untitled II’, which, to our ears, sounds like the work of more than one person, as it ranges from comedown drones to purring electro offcuts and arpeggiated nightflights with a subtle shift in accents that, to be fair, could be the work of one as much as many.
Who knows?