Enigmatic, shapeshifting entity, Bassæ rejoins Glasgow’s Few Crackles with a 2nd Untitled number, this time on 12” after a sold-out 7” and the label’s cult ‘Riddims’ mixtape boxset.
Working in a shadowy space to our ears between Orphan Fairytale, Ectoplasm Girls and the mutant eastern European folk/electronic audities plucked out by Stroom; Bassæ’s 2nd release in no less full of intrigue and timeless allure. Continuing a track sequencing from the 7”, she glides from the dainty stepper ‘C’ to the gently febrile jaws harp twang and eerie waltz of ‘D’, and over to the matrix tone poem of ‘E’, and what sounds like a scrambled Toresch transmission in ‘F’ without ever dropping the veil of mystery for those who like to invest in a good ghost story.
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Enigmatic, shapeshifting entity, Bassæ rejoins Glasgow’s Few Crackles with a 2nd Untitled number, this time on 12” after a sold-out 7” and the label’s cult ‘Riddims’ mixtape boxset.
Working in a shadowy space to our ears between Orphan Fairytale, Ectoplasm Girls and the mutant eastern European folk/electronic audities plucked out by Stroom; Bassæ’s 2nd release in no less full of intrigue and timeless allure. Continuing a track sequencing from the 7”, she glides from the dainty stepper ‘C’ to the gently febrile jaws harp twang and eerie waltz of ‘D’, and over to the matrix tone poem of ‘E’, and what sounds like a scrambled Toresch transmission in ‘F’ without ever dropping the veil of mystery for those who like to invest in a good ghost story.
Enigmatic, shapeshifting entity, Bassæ rejoins Glasgow’s Few Crackles with a 2nd Untitled number, this time on 12” after a sold-out 7” and the label’s cult ‘Riddims’ mixtape boxset.
Working in a shadowy space to our ears between Orphan Fairytale, Ectoplasm Girls and the mutant eastern European folk/electronic audities plucked out by Stroom; Bassæ’s 2nd release in no less full of intrigue and timeless allure. Continuing a track sequencing from the 7”, she glides from the dainty stepper ‘C’ to the gently febrile jaws harp twang and eerie waltz of ‘D’, and over to the matrix tone poem of ‘E’, and what sounds like a scrambled Toresch transmission in ‘F’ without ever dropping the veil of mystery for those who like to invest in a good ghost story.
Enigmatic, shapeshifting entity, Bassæ rejoins Glasgow’s Few Crackles with a 2nd Untitled number, this time on 12” after a sold-out 7” and the label’s cult ‘Riddims’ mixtape boxset.
Working in a shadowy space to our ears between Orphan Fairytale, Ectoplasm Girls and the mutant eastern European folk/electronic audities plucked out by Stroom; Bassæ’s 2nd release in no less full of intrigue and timeless allure. Continuing a track sequencing from the 7”, she glides from the dainty stepper ‘C’ to the gently febrile jaws harp twang and eerie waltz of ‘D’, and over to the matrix tone poem of ‘E’, and what sounds like a scrambled Toresch transmission in ‘F’ without ever dropping the veil of mystery for those who like to invest in a good ghost story.
150 copies only.
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Enigmatic, shapeshifting entity, Bassæ rejoins Glasgow’s Few Crackles with a 2nd Untitled number, this time on 12” after a sold-out 7” and the label’s cult ‘Riddims’ mixtape boxset.
Working in a shadowy space to our ears between Orphan Fairytale, Ectoplasm Girls and the mutant eastern European folk/electronic audities plucked out by Stroom; Bassæ’s 2nd release in no less full of intrigue and timeless allure. Continuing a track sequencing from the 7”, she glides from the dainty stepper ‘C’ to the gently febrile jaws harp twang and eerie waltz of ‘D’, and over to the matrix tone poem of ‘E’, and what sounds like a scrambled Toresch transmission in ‘F’ without ever dropping the veil of mystery for those who like to invest in a good ghost story.