Captivating slab of cyborganic techno sensations by northern Italy’s Riccardo Mazza (from the Lettera 22 duo), making his full solo vinyl debut for iDEAL Recording on the heels of their outstanding John Duncan release. A huge recommendation if you're into the likes of Raime/Blackest Ever Black, Preserved Instincts etc.
Mazza is a veteran of the same, Treviso-based punk scene that spawned Ninos Du Brasil, and he’s made a probing transition from noisy rock music thru to more abstract, rhythm-based and electronic realms over the years, landing at the coruscating industrial tones of UNFIT via freeform, bad-vibing releases for the Second Sleep label, among other, prime Italian imprints such as Hundebiss and Holidays Records.
Operating on the liminal edge of minimal techno, post-industrial and concrète ambience, his productions are ripe for darker-minded dancefloors, sustaining a momentum and gloomy pallor that doesn’t shift from start to finish, coursing thru from the coiled title track, thru the Kenji Kawai-sampling, panic-inducing stepper Height, to the muddied trample of Come Back and the Raime-like Loss, to buckle and wretch with the bloody-nosed electro of Edge and a slow stygian punt entitled Unplaced.
Seriosuly, it’s a must-check if yr into Hospital Productions, Preserved Instincts, Blackest Ever Black…
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Captivating slab of cyborganic techno sensations by northern Italy’s Riccardo Mazza (from the Lettera 22 duo), making his full solo vinyl debut for iDEAL Recording on the heels of their outstanding John Duncan release. A huge recommendation if you're into the likes of Raime/Blackest Ever Black, Preserved Instincts etc.
Mazza is a veteran of the same, Treviso-based punk scene that spawned Ninos Du Brasil, and he’s made a probing transition from noisy rock music thru to more abstract, rhythm-based and electronic realms over the years, landing at the coruscating industrial tones of UNFIT via freeform, bad-vibing releases for the Second Sleep label, among other, prime Italian imprints such as Hundebiss and Holidays Records.
Operating on the liminal edge of minimal techno, post-industrial and concrète ambience, his productions are ripe for darker-minded dancefloors, sustaining a momentum and gloomy pallor that doesn’t shift from start to finish, coursing thru from the coiled title track, thru the Kenji Kawai-sampling, panic-inducing stepper Height, to the muddied trample of Come Back and the Raime-like Loss, to buckle and wretch with the bloody-nosed electro of Edge and a slow stygian punt entitled Unplaced.
Seriosuly, it’s a must-check if yr into Hospital Productions, Preserved Instincts, Blackest Ever Black…
Captivating slab of cyborganic techno sensations by northern Italy’s Riccardo Mazza (from the Lettera 22 duo), making his full solo vinyl debut for iDEAL Recording on the heels of their outstanding John Duncan release. A huge recommendation if you're into the likes of Raime/Blackest Ever Black, Preserved Instincts etc.
Mazza is a veteran of the same, Treviso-based punk scene that spawned Ninos Du Brasil, and he’s made a probing transition from noisy rock music thru to more abstract, rhythm-based and electronic realms over the years, landing at the coruscating industrial tones of UNFIT via freeform, bad-vibing releases for the Second Sleep label, among other, prime Italian imprints such as Hundebiss and Holidays Records.
Operating on the liminal edge of minimal techno, post-industrial and concrète ambience, his productions are ripe for darker-minded dancefloors, sustaining a momentum and gloomy pallor that doesn’t shift from start to finish, coursing thru from the coiled title track, thru the Kenji Kawai-sampling, panic-inducing stepper Height, to the muddied trample of Come Back and the Raime-like Loss, to buckle and wretch with the bloody-nosed electro of Edge and a slow stygian punt entitled Unplaced.
Seriosuly, it’s a must-check if yr into Hospital Productions, Preserved Instincts, Blackest Ever Black…
Captivating slab of cyborganic techno sensations by northern Italy’s Riccardo Mazza (from the Lettera 22 duo), making his full solo vinyl debut for iDEAL Recording on the heels of their outstanding John Duncan release. A huge recommendation if you're into the likes of Raime/Blackest Ever Black, Preserved Instincts etc.
Mazza is a veteran of the same, Treviso-based punk scene that spawned Ninos Du Brasil, and he’s made a probing transition from noisy rock music thru to more abstract, rhythm-based and electronic realms over the years, landing at the coruscating industrial tones of UNFIT via freeform, bad-vibing releases for the Second Sleep label, among other, prime Italian imprints such as Hundebiss and Holidays Records.
Operating on the liminal edge of minimal techno, post-industrial and concrète ambience, his productions are ripe for darker-minded dancefloors, sustaining a momentum and gloomy pallor that doesn’t shift from start to finish, coursing thru from the coiled title track, thru the Kenji Kawai-sampling, panic-inducing stepper Height, to the muddied trample of Come Back and the Raime-like Loss, to buckle and wretch with the bloody-nosed electro of Edge and a slow stygian punt entitled Unplaced.
Seriosuly, it’s a must-check if yr into Hospital Productions, Preserved Instincts, Blackest Ever Black…
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Captivating slab of cyborganic techno sensations by northern Italy’s Riccardo Mazza (from the Lettera 22 duo), making his full solo vinyl debut for iDEAL Recording on the heels of their outstanding John Duncan release. A huge recommendation if you're into the likes of Raime/Blackest Ever Black, Preserved Instincts etc.
Mazza is a veteran of the same, Treviso-based punk scene that spawned Ninos Du Brasil, and he’s made a probing transition from noisy rock music thru to more abstract, rhythm-based and electronic realms over the years, landing at the coruscating industrial tones of UNFIT via freeform, bad-vibing releases for the Second Sleep label, among other, prime Italian imprints such as Hundebiss and Holidays Records.
Operating on the liminal edge of minimal techno, post-industrial and concrète ambience, his productions are ripe for darker-minded dancefloors, sustaining a momentum and gloomy pallor that doesn’t shift from start to finish, coursing thru from the coiled title track, thru the Kenji Kawai-sampling, panic-inducing stepper Height, to the muddied trample of Come Back and the Raime-like Loss, to buckle and wretch with the bloody-nosed electro of Edge and a slow stygian punt entitled Unplaced.
Seriosuly, it’s a must-check if yr into Hospital Productions, Preserved Instincts, Blackest Ever Black…