Boomkat Product Review:
Jaime Fennelly’s ever-evolving Mind Over Mirrors project shifts once again on this album for Paradise of Bachelors that features a full ensemble of celebrated vocalists and musicians
First introduced on Brad Rose’s sorely missed Digitalis platform back in 2011, Jaime Fennelly’s work as Mind Over Mirrors has centred around his mastery of the Indian pedal harmonium amidst an arsenal of synths and delay units. Each new MOM album has seen the Chicago-based musician take on an ever-more ambitious approach, and this debut on NC label Paradise of Bachelors is his most compelling undertaking yet. Drawing deeper from the subluminal aether, Undying Color originates from a two-week stint Fennelly spent recording in a cabin surrounded by the natural beauty of Southwestern Wisconsin late last year.
The project is no longer a solo endeavour however, but rather something closer to full-blown band. Fennelly’s mediative assemblage of synths and harmonium complemented by a cast of musicians that includes Janet Beveridge Bean (Eleventh Dream Day), Jim Becker of Califone/Iron & Wine, drummer Jon Mueller, and a returning Haley Fohr who featured on the last MOM LP. At 12-minutes long, you could call Gravity Wake the centrepiece here, Fennelly’s gently pulsing composition coaxing a sensual, personal vocal performance out of Beveridge Bean and Fohr.
But Color Dying remains at this stratospheric high throughout with Fennelly’s gift for the harmonium apparent nowhere greater than the closing melancholy of 600 Miles Around.