Dub fantasist Disrupt indulges Scientist-like levels of sci-fi psychedelia and pulpy graphic novel Afrofuturism in his own style on Jahtari’s Zonedog sublabel
Moving beyond his digidub fascinations to a more frayed interzone of dubwise, abstract storytelling, seasoned psychonaut Disrupt sets out a 10-part album rich with evocative, textural mise-en-scene and swirling off-world atmosphere.
The results are more akin to the type of phantasy pseudo-ethnological realms explored on Spencer Clark’s Pacific City Sound Visions than anything we’ve previously heard by the German artist, with passages of subaquatic, dub-bassed exotica only bearing feint traces of his previous work, while the rest of the album is all lush slosh and loungey keys swept with dub-as-method processing.
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Dub fantasist Disrupt indulges Scientist-like levels of sci-fi psychedelia and pulpy graphic novel Afrofuturism in his own style on Jahtari’s Zonedog sublabel
Moving beyond his digidub fascinations to a more frayed interzone of dubwise, abstract storytelling, seasoned psychonaut Disrupt sets out a 10-part album rich with evocative, textural mise-en-scene and swirling off-world atmosphere.
The results are more akin to the type of phantasy pseudo-ethnological realms explored on Spencer Clark’s Pacific City Sound Visions than anything we’ve previously heard by the German artist, with passages of subaquatic, dub-bassed exotica only bearing feint traces of his previous work, while the rest of the album is all lush slosh and loungey keys swept with dub-as-method processing.
Dub fantasist Disrupt indulges Scientist-like levels of sci-fi psychedelia and pulpy graphic novel Afrofuturism in his own style on Jahtari’s Zonedog sublabel
Moving beyond his digidub fascinations to a more frayed interzone of dubwise, abstract storytelling, seasoned psychonaut Disrupt sets out a 10-part album rich with evocative, textural mise-en-scene and swirling off-world atmosphere.
The results are more akin to the type of phantasy pseudo-ethnological realms explored on Spencer Clark’s Pacific City Sound Visions than anything we’ve previously heard by the German artist, with passages of subaquatic, dub-bassed exotica only bearing feint traces of his previous work, while the rest of the album is all lush slosh and loungey keys swept with dub-as-method processing.
Dub fantasist Disrupt indulges Scientist-like levels of sci-fi psychedelia and pulpy graphic novel Afrofuturism in his own style on Jahtari’s Zonedog sublabel
Moving beyond his digidub fascinations to a more frayed interzone of dubwise, abstract storytelling, seasoned psychonaut Disrupt sets out a 10-part album rich with evocative, textural mise-en-scene and swirling off-world atmosphere.
The results are more akin to the type of phantasy pseudo-ethnological realms explored on Spencer Clark’s Pacific City Sound Visions than anything we’ve previously heard by the German artist, with passages of subaquatic, dub-bassed exotica only bearing feint traces of his previous work, while the rest of the album is all lush slosh and loungey keys swept with dub-as-method processing.
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Dub fantasist Disrupt indulges Scientist-like levels of sci-fi psychedelia and pulpy graphic novel Afrofuturism in his own style on Jahtari’s Zonedog sublabel
Moving beyond his digidub fascinations to a more frayed interzone of dubwise, abstract storytelling, seasoned psychonaut Disrupt sets out a 10-part album rich with evocative, textural mise-en-scene and swirling off-world atmosphere.
The results are more akin to the type of phantasy pseudo-ethnological realms explored on Spencer Clark’s Pacific City Sound Visions than anything we’ve previously heard by the German artist, with passages of subaquatic, dub-bassed exotica only bearing feint traces of his previous work, while the rest of the album is all lush slosh and loungey keys swept with dub-as-method processing.