Gloriously unexpected 12" of lithe techno and dirgey electronic pop from the Editions Mego camp, featuring one original by, and three remixes of, German artist Philippe Quehenberger. 'Uffuff' is a mid-paced, distortion-heavy dancefloor banger - imagine SebastiAn or Justice if they looked up to Pan Sonic as much as they do Daft Punk. The remixes are of tracks from Quehenberger's most recent album, Hazards: the ever wonderful Patrick Pulsinger transforms 'New Beat' into a lean, gothic dancefloor stalker somewhere between amyl-fuelled EBM, 90s acid and svelte minimal, while just below surface an insanely ragged vamp rages away, fully justifying the track's title. Elin makes a long-awaited return to Mego after 16 years, delivering a nicely skanking, bass-led electro-funk version of 'Hey Gert' before US producer Altroy turns up to craft a stripped, compressed techno battering ram out of 'Keep Talking', sanded down and buffed for timeless warehouse impact.
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Gloriously unexpected 12" of lithe techno and dirgey electronic pop from the Editions Mego camp, featuring one original by, and three remixes of, German artist Philippe Quehenberger. 'Uffuff' is a mid-paced, distortion-heavy dancefloor banger - imagine SebastiAn or Justice if they looked up to Pan Sonic as much as they do Daft Punk. The remixes are of tracks from Quehenberger's most recent album, Hazards: the ever wonderful Patrick Pulsinger transforms 'New Beat' into a lean, gothic dancefloor stalker somewhere between amyl-fuelled EBM, 90s acid and svelte minimal, while just below surface an insanely ragged vamp rages away, fully justifying the track's title. Elin makes a long-awaited return to Mego after 16 years, delivering a nicely skanking, bass-led electro-funk version of 'Hey Gert' before US producer Altroy turns up to craft a stripped, compressed techno battering ram out of 'Keep Talking', sanded down and buffed for timeless warehouse impact.
Gloriously unexpected 12" of lithe techno and dirgey electronic pop from the Editions Mego camp, featuring one original by, and three remixes of, German artist Philippe Quehenberger. 'Uffuff' is a mid-paced, distortion-heavy dancefloor banger - imagine SebastiAn or Justice if they looked up to Pan Sonic as much as they do Daft Punk. The remixes are of tracks from Quehenberger's most recent album, Hazards: the ever wonderful Patrick Pulsinger transforms 'New Beat' into a lean, gothic dancefloor stalker somewhere between amyl-fuelled EBM, 90s acid and svelte minimal, while just below surface an insanely ragged vamp rages away, fully justifying the track's title. Elin makes a long-awaited return to Mego after 16 years, delivering a nicely skanking, bass-led electro-funk version of 'Hey Gert' before US producer Altroy turns up to craft a stripped, compressed techno battering ram out of 'Keep Talking', sanded down and buffed for timeless warehouse impact.
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Gloriously unexpected 12" of lithe techno and dirgey electronic pop from the Editions Mego camp, featuring one original by, and three remixes of, German artist Philippe Quehenberger. 'Uffuff' is a mid-paced, distortion-heavy dancefloor banger - imagine SebastiAn or Justice if they looked up to Pan Sonic as much as they do Daft Punk. The remixes are of tracks from Quehenberger's most recent album, Hazards: the ever wonderful Patrick Pulsinger transforms 'New Beat' into a lean, gothic dancefloor stalker somewhere between amyl-fuelled EBM, 90s acid and svelte minimal, while just below surface an insanely ragged vamp rages away, fully justifying the track's title. Elin makes a long-awaited return to Mego after 16 years, delivering a nicely skanking, bass-led electro-funk version of 'Hey Gert' before US producer Altroy turns up to craft a stripped, compressed techno battering ram out of 'Keep Talking', sanded down and buffed for timeless warehouse impact.