SM-LL plunge us into the siltiest swill of gravelly electro-dub concrète on another anonymised audity from their anti-capitalist, anarcho-collective
By any measure SM-LL are among the most uncompromising and distinctive labels operating within the brackets of experimental rhythmic electronics, noise, and abstract space right now. Their late December/early ’23 delivery continues the mission with three parts spanning the distended dub grog and plonging dynamics of ‘O7-T2’ thru to air-carving and quivering designs on slurred bass and electro-acoustic fizz recalling classic Pan Sonic at their most oblique in ‘O8-T2’, to the sturdier, yet still elusive, shape of ‘O6-T1’ swath its caveman bass and electronic textures smeared into a sort of gnawing dancehall abstraction.
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SM-LL plunge us into the siltiest swill of gravelly electro-dub concrète on another anonymised audity from their anti-capitalist, anarcho-collective
By any measure SM-LL are among the most uncompromising and distinctive labels operating within the brackets of experimental rhythmic electronics, noise, and abstract space right now. Their late December/early ’23 delivery continues the mission with three parts spanning the distended dub grog and plonging dynamics of ‘O7-T2’ thru to air-carving and quivering designs on slurred bass and electro-acoustic fizz recalling classic Pan Sonic at their most oblique in ‘O8-T2’, to the sturdier, yet still elusive, shape of ‘O6-T1’ swath its caveman bass and electronic textures smeared into a sort of gnawing dancehall abstraction.
SM-LL plunge us into the siltiest swill of gravelly electro-dub concrète on another anonymised audity from their anti-capitalist, anarcho-collective
By any measure SM-LL are among the most uncompromising and distinctive labels operating within the brackets of experimental rhythmic electronics, noise, and abstract space right now. Their late December/early ’23 delivery continues the mission with three parts spanning the distended dub grog and plonging dynamics of ‘O7-T2’ thru to air-carving and quivering designs on slurred bass and electro-acoustic fizz recalling classic Pan Sonic at their most oblique in ‘O8-T2’, to the sturdier, yet still elusive, shape of ‘O6-T1’ swath its caveman bass and electronic textures smeared into a sort of gnawing dancehall abstraction.
SM-LL plunge us into the siltiest swill of gravelly electro-dub concrète on another anonymised audity from their anti-capitalist, anarcho-collective
By any measure SM-LL are among the most uncompromising and distinctive labels operating within the brackets of experimental rhythmic electronics, noise, and abstract space right now. Their late December/early ’23 delivery continues the mission with three parts spanning the distended dub grog and plonging dynamics of ‘O7-T2’ thru to air-carving and quivering designs on slurred bass and electro-acoustic fizz recalling classic Pan Sonic at their most oblique in ‘O8-T2’, to the sturdier, yet still elusive, shape of ‘O6-T1’ swath its caveman bass and electronic textures smeared into a sort of gnawing dancehall abstraction.