Created as an installation piece, 'Tuning the Wind' is a long-form composition that's rooted in wind recordings that Aimée Portioli compliments with dramatic synths.
Looking to create an audio illusion where the wind and the additional instruments were almost indistinguishable, Portioli took an interesting approach to this one, pitching the wind to 440 Hz, or tuning the instruments to the pitch of the wind. The 35-minute piece started life as a series of environmental recordings that Portioli stitched together to bring out their unique resonances, highlighting the wide range of frequencies, tones and textures. And her synthwork only plays into the character of the recordings, accenting the whooshing, howling and whistling with harmonic echoes that reflect the wind even when it's inaudible. Needless to say, if you enjoyed Portioli's collaboration with Abul Mogard or 2023's 'All Above', 'Tuning the Wind' helps complete the story.
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Created as an installation piece, 'Tuning the Wind' is a long-form composition that's rooted in wind recordings that Aimée Portioli compliments with dramatic synths.
Looking to create an audio illusion where the wind and the additional instruments were almost indistinguishable, Portioli took an interesting approach to this one, pitching the wind to 440 Hz, or tuning the instruments to the pitch of the wind. The 35-minute piece started life as a series of environmental recordings that Portioli stitched together to bring out their unique resonances, highlighting the wide range of frequencies, tones and textures. And her synthwork only plays into the character of the recordings, accenting the whooshing, howling and whistling with harmonic echoes that reflect the wind even when it's inaudible. Needless to say, if you enjoyed Portioli's collaboration with Abul Mogard or 2023's 'All Above', 'Tuning the Wind' helps complete the story.
Created as an installation piece, 'Tuning the Wind' is a long-form composition that's rooted in wind recordings that Aimée Portioli compliments with dramatic synths.
Looking to create an audio illusion where the wind and the additional instruments were almost indistinguishable, Portioli took an interesting approach to this one, pitching the wind to 440 Hz, or tuning the instruments to the pitch of the wind. The 35-minute piece started life as a series of environmental recordings that Portioli stitched together to bring out their unique resonances, highlighting the wide range of frequencies, tones and textures. And her synthwork only plays into the character of the recordings, accenting the whooshing, howling and whistling with harmonic echoes that reflect the wind even when it's inaudible. Needless to say, if you enjoyed Portioli's collaboration with Abul Mogard or 2023's 'All Above', 'Tuning the Wind' helps complete the story.
Created as an installation piece, 'Tuning the Wind' is a long-form composition that's rooted in wind recordings that Aimée Portioli compliments with dramatic synths.
Looking to create an audio illusion where the wind and the additional instruments were almost indistinguishable, Portioli took an interesting approach to this one, pitching the wind to 440 Hz, or tuning the instruments to the pitch of the wind. The 35-minute piece started life as a series of environmental recordings that Portioli stitched together to bring out their unique resonances, highlighting the wide range of frequencies, tones and textures. And her synthwork only plays into the character of the recordings, accenting the whooshing, howling and whistling with harmonic echoes that reflect the wind even when it's inaudible. Needless to say, if you enjoyed Portioli's collaboration with Abul Mogard or 2023's 'All Above', 'Tuning the Wind' helps complete the story.
Pantone printed sleeve, comes with download.
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Created as an installation piece, 'Tuning the Wind' is a long-form composition that's rooted in wind recordings that Aimée Portioli compliments with dramatic synths.
Looking to create an audio illusion where the wind and the additional instruments were almost indistinguishable, Portioli took an interesting approach to this one, pitching the wind to 440 Hz, or tuning the instruments to the pitch of the wind. The 35-minute piece started life as a series of environmental recordings that Portioli stitched together to bring out their unique resonances, highlighting the wide range of frequencies, tones and textures. And her synthwork only plays into the character of the recordings, accenting the whooshing, howling and whistling with harmonic echoes that reflect the wind even when it's inaudible. Needless to say, if you enjoyed Portioli's collaboration with Abul Mogard or 2023's 'All Above', 'Tuning the Wind' helps complete the story.