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Boomkat Product Review:
The seminal eccentric maximalist composer uses a Moog to conjure something like a swarm of mechanical bees making a hive in your nasal cavity for the 50 minute entirety of Ttuunneesszz Duh Rruunneesszz.
The first of two sides by the venerable Charlemagne Palestine recorded using Surrey Uni’s extensive Moog Sound Lab System 55 set-up runs to over 50 minutes of swarming oscillators that ultimately sound like a grist of bees nesting in your noggin
“Charlemagne Palestine first started using electronic instruments in his music in the late 1960’s when he bought two prototype ‘Buchla’ tone generators. “Electronic instruments were very rare & exotic in the 1960’s.There were Moog’s around New York state.
But they were only in universities who preciously guarded them from us young composers. so after all this time visiting The Moog Sound Lab is like a dream come true for me…..to have so many oscillators all singing together is a truly beautiful experience. I am so glad i am still around and able to be making musics i first dreamt of 50 years ago”.
These two releases come from our second ever UK lab session & is the first Charlemagne Palestine Moog Sound Lab. All electronic long form drone works from an archive of six recordings.”
It’s nowt less than avant garde honey for the mind.