Australia’s Cop Envy deposits his 2nd 12” of rugged, Kowton-esque drums and claggy vibes on Sydney’s Templar Sound following a debut for Opal Tapes’ Black Opal in 2016.
As Templar Sound have it, Cop Envy “submerges the pulse of Detroit beneath the ghosts of British hardcore.” in four tracks, getting into gear with the dank bleep rolige of Sshake, before sparking off a killer jungle tekno sound replete with flinty snares and shark-eyed reese bass on Head Mark, landing square between Demdike Stare’s Testpressings and Mumdance & Logos output.
With Kay he yokes back to a sort of swinging dark techno meets UKF sound akin to older Mosca 12”S, and checks out with the balance of romantic rave pads and hard working tribal shunt with Sister Chord.
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Australia’s Cop Envy deposits his 2nd 12” of rugged, Kowton-esque drums and claggy vibes on Sydney’s Templar Sound following a debut for Opal Tapes’ Black Opal in 2016.
As Templar Sound have it, Cop Envy “submerges the pulse of Detroit beneath the ghosts of British hardcore.” in four tracks, getting into gear with the dank bleep rolige of Sshake, before sparking off a killer jungle tekno sound replete with flinty snares and shark-eyed reese bass on Head Mark, landing square between Demdike Stare’s Testpressings and Mumdance & Logos output.
With Kay he yokes back to a sort of swinging dark techno meets UKF sound akin to older Mosca 12”S, and checks out with the balance of romantic rave pads and hard working tribal shunt with Sister Chord.
Australia’s Cop Envy deposits his 2nd 12” of rugged, Kowton-esque drums and claggy vibes on Sydney’s Templar Sound following a debut for Opal Tapes’ Black Opal in 2016.
As Templar Sound have it, Cop Envy “submerges the pulse of Detroit beneath the ghosts of British hardcore.” in four tracks, getting into gear with the dank bleep rolige of Sshake, before sparking off a killer jungle tekno sound replete with flinty snares and shark-eyed reese bass on Head Mark, landing square between Demdike Stare’s Testpressings and Mumdance & Logos output.
With Kay he yokes back to a sort of swinging dark techno meets UKF sound akin to older Mosca 12”S, and checks out with the balance of romantic rave pads and hard working tribal shunt with Sister Chord.
Australia’s Cop Envy deposits his 2nd 12” of rugged, Kowton-esque drums and claggy vibes on Sydney’s Templar Sound following a debut for Opal Tapes’ Black Opal in 2016.
As Templar Sound have it, Cop Envy “submerges the pulse of Detroit beneath the ghosts of British hardcore.” in four tracks, getting into gear with the dank bleep rolige of Sshake, before sparking off a killer jungle tekno sound replete with flinty snares and shark-eyed reese bass on Head Mark, landing square between Demdike Stare’s Testpressings and Mumdance & Logos output.
With Kay he yokes back to a sort of swinging dark techno meets UKF sound akin to older Mosca 12”S, and checks out with the balance of romantic rave pads and hard working tribal shunt with Sister Chord.
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Australia’s Cop Envy deposits his 2nd 12” of rugged, Kowton-esque drums and claggy vibes on Sydney’s Templar Sound following a debut for Opal Tapes’ Black Opal in 2016.
As Templar Sound have it, Cop Envy “submerges the pulse of Detroit beneath the ghosts of British hardcore.” in four tracks, getting into gear with the dank bleep rolige of Sshake, before sparking off a killer jungle tekno sound replete with flinty snares and shark-eyed reese bass on Head Mark, landing square between Demdike Stare’s Testpressings and Mumdance & Logos output.
With Kay he yokes back to a sort of swinging dark techno meets UKF sound akin to older Mosca 12”S, and checks out with the balance of romantic rave pads and hard working tribal shunt with Sister Chord.