Truquetín Resorte
Tenerife trio Cruz Perro Maldito make an endearing racket on their debut album, taking inspiration from mechanical automata, like the mythical bronze giant who battled Jason and his Argonauts.
It's not easy to make free jazz sound brand new, but Cruz Perro Maldito make a damn good effort, spiking their jagged drum/horn workouts with modular synth blasts and processed guitar. 'Truquetín Resorte' concerns itself with the looming threat of automation, looking to historical and mythical automata to help transmit its message. It's hard to immediately recognize this listening to the tracks, but squint a little and their chunky rhythms could almost be the footsteps of an iron giant, their freeform blend of acoustic instrumentation and electronics an attempt to mimic the inner machinery of a hulking bronze beast.
On 'Corona de Remontuar', overblown horn blasts flutter alongside tidal bursts of rhythm, sliced into by serrated oscillations. 'Guilloche' is harder to place, led by wiry horn squeals but anchored by a rhythm that sounds like a malfunctioning robot. Things get more abstract on 'Carruré', a byzantine mix of modern jazz sleaze, surf rock insanity and burbling electronics - we're not sure how this one traces back to automata, but it's great either way.
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Tenerife trio Cruz Perro Maldito make an endearing racket on their debut album, taking inspiration from mechanical automata, like the mythical bronze giant who battled Jason and his Argonauts.
It's not easy to make free jazz sound brand new, but Cruz Perro Maldito make a damn good effort, spiking their jagged drum/horn workouts with modular synth blasts and processed guitar. 'Truquetín Resorte' concerns itself with the looming threat of automation, looking to historical and mythical automata to help transmit its message. It's hard to immediately recognize this listening to the tracks, but squint a little and their chunky rhythms could almost be the footsteps of an iron giant, their freeform blend of acoustic instrumentation and electronics an attempt to mimic the inner machinery of a hulking bronze beast.
On 'Corona de Remontuar', overblown horn blasts flutter alongside tidal bursts of rhythm, sliced into by serrated oscillations. 'Guilloche' is harder to place, led by wiry horn squeals but anchored by a rhythm that sounds like a malfunctioning robot. Things get more abstract on 'Carruré', a byzantine mix of modern jazz sleaze, surf rock insanity and burbling electronics - we're not sure how this one traces back to automata, but it's great either way.
Tenerife trio Cruz Perro Maldito make an endearing racket on their debut album, taking inspiration from mechanical automata, like the mythical bronze giant who battled Jason and his Argonauts.
It's not easy to make free jazz sound brand new, but Cruz Perro Maldito make a damn good effort, spiking their jagged drum/horn workouts with modular synth blasts and processed guitar. 'Truquetín Resorte' concerns itself with the looming threat of automation, looking to historical and mythical automata to help transmit its message. It's hard to immediately recognize this listening to the tracks, but squint a little and their chunky rhythms could almost be the footsteps of an iron giant, their freeform blend of acoustic instrumentation and electronics an attempt to mimic the inner machinery of a hulking bronze beast.
On 'Corona de Remontuar', overblown horn blasts flutter alongside tidal bursts of rhythm, sliced into by serrated oscillations. 'Guilloche' is harder to place, led by wiry horn squeals but anchored by a rhythm that sounds like a malfunctioning robot. Things get more abstract on 'Carruré', a byzantine mix of modern jazz sleaze, surf rock insanity and burbling electronics - we're not sure how this one traces back to automata, but it's great either way.
Tenerife trio Cruz Perro Maldito make an endearing racket on their debut album, taking inspiration from mechanical automata, like the mythical bronze giant who battled Jason and his Argonauts.
It's not easy to make free jazz sound brand new, but Cruz Perro Maldito make a damn good effort, spiking their jagged drum/horn workouts with modular synth blasts and processed guitar. 'Truquetín Resorte' concerns itself with the looming threat of automation, looking to historical and mythical automata to help transmit its message. It's hard to immediately recognize this listening to the tracks, but squint a little and their chunky rhythms could almost be the footsteps of an iron giant, their freeform blend of acoustic instrumentation and electronics an attempt to mimic the inner machinery of a hulking bronze beast.
On 'Corona de Remontuar', overblown horn blasts flutter alongside tidal bursts of rhythm, sliced into by serrated oscillations. 'Guilloche' is harder to place, led by wiry horn squeals but anchored by a rhythm that sounds like a malfunctioning robot. Things get more abstract on 'Carruré', a byzantine mix of modern jazz sleaze, surf rock insanity and burbling electronics - we're not sure how this one traces back to automata, but it's great either way.
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Tenerife trio Cruz Perro Maldito make an endearing racket on their debut album, taking inspiration from mechanical automata, like the mythical bronze giant who battled Jason and his Argonauts.
It's not easy to make free jazz sound brand new, but Cruz Perro Maldito make a damn good effort, spiking their jagged drum/horn workouts with modular synth blasts and processed guitar. 'Truquetín Resorte' concerns itself with the looming threat of automation, looking to historical and mythical automata to help transmit its message. It's hard to immediately recognize this listening to the tracks, but squint a little and their chunky rhythms could almost be the footsteps of an iron giant, their freeform blend of acoustic instrumentation and electronics an attempt to mimic the inner machinery of a hulking bronze beast.
On 'Corona de Remontuar', overblown horn blasts flutter alongside tidal bursts of rhythm, sliced into by serrated oscillations. 'Guilloche' is harder to place, led by wiry horn squeals but anchored by a rhythm that sounds like a malfunctioning robot. Things get more abstract on 'Carruré', a byzantine mix of modern jazz sleaze, surf rock insanity and burbling electronics - we're not sure how this one traces back to automata, but it's great either way.