Long overdue 1st vinyl edition of loscil’s evergreen 2001 debut of minimalist ambient dub techno for Kranky. A masterstroke of immersive, restrained sound design, oscillating between thrumming rhythms and intoxicating, noirish vapours.
A firm fixture on our decks upon release and still a perennial favourite, loscil’s ‘Triple Point’ formed the jump-off for Canadian artist Scott Morgan’s illustrious catalogue, atmospheric gems, now spanning dozens of releases, and including collaborations with Lawrence English and bvdub. The hour-long album has lost none of its smoky allure over the interim, and the new master by RTI and lacquer cut by Bob Weston (Shellac, Mission of Burma) sensitively captures its subtleties on vinyl.
Whilst not explicitly ambient, nor dub techno, the 10 tracks occupy a quietly spirited space between and adjacent those poles with an elusive yet richly evocative quality that has understandably led to Scott Morgan becoming a composer of atmospheric soundtracks for computer games, aside to his solo musical practice. He treats both sides of his sound with a rarified, requisite tenderness and minimalist refinement that makes instance come alive with a good set of speakers in lowlit home listening situations.
The tumescent pads and pulsating suspense of ‘Hydrogen’ gives eye-flicker flashbacks to the lushest times, triggering a track sequence formula that wavers between the depth charged subs and Pole-like textural creep of ‘Ampere’, and the sort of soundtrack qualities in ‘Pressure’ that prompted his game scores. There’s a pure nugget of downbeat ambient dub in ‘Zero’, and floating ambient techno akin Signer on ‘Fuel Exergy’, leading to the laminal sensation of ‘Vapour’ and shimmering stasis of closer ‘Absolute’ comparable to Kevin Drumm’s ‘Imperial Distortion’.
IYKYK, but never a better time to get acquainted if not.
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Long overdue 1st vinyl edition of loscil’s evergreen 2001 debut of minimalist ambient dub techno for Kranky. A masterstroke of immersive, restrained sound design, oscillating between thrumming rhythms and intoxicating, noirish vapours.
A firm fixture on our decks upon release and still a perennial favourite, loscil’s ‘Triple Point’ formed the jump-off for Canadian artist Scott Morgan’s illustrious catalogue, atmospheric gems, now spanning dozens of releases, and including collaborations with Lawrence English and bvdub. The hour-long album has lost none of its smoky allure over the interim, and the new master by RTI and lacquer cut by Bob Weston (Shellac, Mission of Burma) sensitively captures its subtleties on vinyl.
Whilst not explicitly ambient, nor dub techno, the 10 tracks occupy a quietly spirited space between and adjacent those poles with an elusive yet richly evocative quality that has understandably led to Scott Morgan becoming a composer of atmospheric soundtracks for computer games, aside to his solo musical practice. He treats both sides of his sound with a rarified, requisite tenderness and minimalist refinement that makes instance come alive with a good set of speakers in lowlit home listening situations.
The tumescent pads and pulsating suspense of ‘Hydrogen’ gives eye-flicker flashbacks to the lushest times, triggering a track sequence formula that wavers between the depth charged subs and Pole-like textural creep of ‘Ampere’, and the sort of soundtrack qualities in ‘Pressure’ that prompted his game scores. There’s a pure nugget of downbeat ambient dub in ‘Zero’, and floating ambient techno akin Signer on ‘Fuel Exergy’, leading to the laminal sensation of ‘Vapour’ and shimmering stasis of closer ‘Absolute’ comparable to Kevin Drumm’s ‘Imperial Distortion’.
IYKYK, but never a better time to get acquainted if not.
Long overdue 1st vinyl edition of loscil’s evergreen 2001 debut of minimalist ambient dub techno for Kranky. A masterstroke of immersive, restrained sound design, oscillating between thrumming rhythms and intoxicating, noirish vapours.
A firm fixture on our decks upon release and still a perennial favourite, loscil’s ‘Triple Point’ formed the jump-off for Canadian artist Scott Morgan’s illustrious catalogue, atmospheric gems, now spanning dozens of releases, and including collaborations with Lawrence English and bvdub. The hour-long album has lost none of its smoky allure over the interim, and the new master by RTI and lacquer cut by Bob Weston (Shellac, Mission of Burma) sensitively captures its subtleties on vinyl.
Whilst not explicitly ambient, nor dub techno, the 10 tracks occupy a quietly spirited space between and adjacent those poles with an elusive yet richly evocative quality that has understandably led to Scott Morgan becoming a composer of atmospheric soundtracks for computer games, aside to his solo musical practice. He treats both sides of his sound with a rarified, requisite tenderness and minimalist refinement that makes instance come alive with a good set of speakers in lowlit home listening situations.
The tumescent pads and pulsating suspense of ‘Hydrogen’ gives eye-flicker flashbacks to the lushest times, triggering a track sequence formula that wavers between the depth charged subs and Pole-like textural creep of ‘Ampere’, and the sort of soundtrack qualities in ‘Pressure’ that prompted his game scores. There’s a pure nugget of downbeat ambient dub in ‘Zero’, and floating ambient techno akin Signer on ‘Fuel Exergy’, leading to the laminal sensation of ‘Vapour’ and shimmering stasis of closer ‘Absolute’ comparable to Kevin Drumm’s ‘Imperial Distortion’.
IYKYK, but never a better time to get acquainted if not.
Long overdue 1st vinyl edition of loscil’s evergreen 2001 debut of minimalist ambient dub techno for Kranky. A masterstroke of immersive, restrained sound design, oscillating between thrumming rhythms and intoxicating, noirish vapours.
A firm fixture on our decks upon release and still a perennial favourite, loscil’s ‘Triple Point’ formed the jump-off for Canadian artist Scott Morgan’s illustrious catalogue, atmospheric gems, now spanning dozens of releases, and including collaborations with Lawrence English and bvdub. The hour-long album has lost none of its smoky allure over the interim, and the new master by RTI and lacquer cut by Bob Weston (Shellac, Mission of Burma) sensitively captures its subtleties on vinyl.
Whilst not explicitly ambient, nor dub techno, the 10 tracks occupy a quietly spirited space between and adjacent those poles with an elusive yet richly evocative quality that has understandably led to Scott Morgan becoming a composer of atmospheric soundtracks for computer games, aside to his solo musical practice. He treats both sides of his sound with a rarified, requisite tenderness and minimalist refinement that makes instance come alive with a good set of speakers in lowlit home listening situations.
The tumescent pads and pulsating suspense of ‘Hydrogen’ gives eye-flicker flashbacks to the lushest times, triggering a track sequence formula that wavers between the depth charged subs and Pole-like textural creep of ‘Ampere’, and the sort of soundtrack qualities in ‘Pressure’ that prompted his game scores. There’s a pure nugget of downbeat ambient dub in ‘Zero’, and floating ambient techno akin Signer on ‘Fuel Exergy’, leading to the laminal sensation of ‘Vapour’ and shimmering stasis of closer ‘Absolute’ comparable to Kevin Drumm’s ‘Imperial Distortion’.
IYKYK, but never a better time to get acquainted if not.
First time on vinyl, includes three bonus tracks from the same sessions that produced the original release.
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Long overdue 1st vinyl edition of loscil’s evergreen 2001 debut of minimalist ambient dub techno for Kranky. A masterstroke of immersive, restrained sound design, oscillating between thrumming rhythms and intoxicating, noirish vapours.
A firm fixture on our decks upon release and still a perennial favourite, loscil’s ‘Triple Point’ formed the jump-off for Canadian artist Scott Morgan’s illustrious catalogue, atmospheric gems, now spanning dozens of releases, and including collaborations with Lawrence English and bvdub. The hour-long album has lost none of its smoky allure over the interim, and the new master by RTI and lacquer cut by Bob Weston (Shellac, Mission of Burma) sensitively captures its subtleties on vinyl.
Whilst not explicitly ambient, nor dub techno, the 10 tracks occupy a quietly spirited space between and adjacent those poles with an elusive yet richly evocative quality that has understandably led to Scott Morgan becoming a composer of atmospheric soundtracks for computer games, aside to his solo musical practice. He treats both sides of his sound with a rarified, requisite tenderness and minimalist refinement that makes instance come alive with a good set of speakers in lowlit home listening situations.
The tumescent pads and pulsating suspense of ‘Hydrogen’ gives eye-flicker flashbacks to the lushest times, triggering a track sequence formula that wavers between the depth charged subs and Pole-like textural creep of ‘Ampere’, and the sort of soundtrack qualities in ‘Pressure’ that prompted his game scores. There’s a pure nugget of downbeat ambient dub in ‘Zero’, and floating ambient techno akin Signer on ‘Fuel Exergy’, leading to the laminal sensation of ‘Vapour’ and shimmering stasis of closer ‘Absolute’ comparable to Kevin Drumm’s ‘Imperial Distortion’.
IYKYK, but never a better time to get acquainted if not.