Tribute to Shin Godzilla and Millenium Mambo
Versatile dons and french touch pioneers I:Cube & Gilb’R play to their more abstract expressive side with noirish darkroom tracks inspired by Far Eastern movies
I:Cube takes cues from the Tokyo-set tale of ’Shin Godzilla’ for a resoundingly spacious sort of cinematic electro-dub trek, taking nearly 10 minutes to fully unwind from brooding cybernoir menace into Heinrich Mueller-esque creeping pulses on a super wide bass ballast, with choral pads clearly inspired by Japanese sci-fi soundtracks. I:Cube’s Château Flight partner and fellow traveller Glib’r keeps up his side of the equation with a more romantic evocation of 2001 Taiwanese romantic drama ‘Millennium Mambo’ evoking early ‘90s ambient dance music of the fine spun sort that recently surfaced in Music From Memory’s ‘Virtual Dreams II’ survey of Japan’s answer to ‘90s electronic and the kinda of creamy, dreamy downbeats pursued by Move D and Jonah Sharp
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Versatile dons and french touch pioneers I:Cube & Gilb’R play to their more abstract expressive side with noirish darkroom tracks inspired by Far Eastern movies
I:Cube takes cues from the Tokyo-set tale of ’Shin Godzilla’ for a resoundingly spacious sort of cinematic electro-dub trek, taking nearly 10 minutes to fully unwind from brooding cybernoir menace into Heinrich Mueller-esque creeping pulses on a super wide bass ballast, with choral pads clearly inspired by Japanese sci-fi soundtracks. I:Cube’s Château Flight partner and fellow traveller Glib’r keeps up his side of the equation with a more romantic evocation of 2001 Taiwanese romantic drama ‘Millennium Mambo’ evoking early ‘90s ambient dance music of the fine spun sort that recently surfaced in Music From Memory’s ‘Virtual Dreams II’ survey of Japan’s answer to ‘90s electronic and the kinda of creamy, dreamy downbeats pursued by Move D and Jonah Sharp
Versatile dons and french touch pioneers I:Cube & Gilb’R play to their more abstract expressive side with noirish darkroom tracks inspired by Far Eastern movies
I:Cube takes cues from the Tokyo-set tale of ’Shin Godzilla’ for a resoundingly spacious sort of cinematic electro-dub trek, taking nearly 10 minutes to fully unwind from brooding cybernoir menace into Heinrich Mueller-esque creeping pulses on a super wide bass ballast, with choral pads clearly inspired by Japanese sci-fi soundtracks. I:Cube’s Château Flight partner and fellow traveller Glib’r keeps up his side of the equation with a more romantic evocation of 2001 Taiwanese romantic drama ‘Millennium Mambo’ evoking early ‘90s ambient dance music of the fine spun sort that recently surfaced in Music From Memory’s ‘Virtual Dreams II’ survey of Japan’s answer to ‘90s electronic and the kinda of creamy, dreamy downbeats pursued by Move D and Jonah Sharp
Versatile dons and french touch pioneers I:Cube & Gilb’R play to their more abstract expressive side with noirish darkroom tracks inspired by Far Eastern movies
I:Cube takes cues from the Tokyo-set tale of ’Shin Godzilla’ for a resoundingly spacious sort of cinematic electro-dub trek, taking nearly 10 minutes to fully unwind from brooding cybernoir menace into Heinrich Mueller-esque creeping pulses on a super wide bass ballast, with choral pads clearly inspired by Japanese sci-fi soundtracks. I:Cube’s Château Flight partner and fellow traveller Glib’r keeps up his side of the equation with a more romantic evocation of 2001 Taiwanese romantic drama ‘Millennium Mambo’ evoking early ‘90s ambient dance music of the fine spun sort that recently surfaced in Music From Memory’s ‘Virtual Dreams II’ survey of Japan’s answer to ‘90s electronic and the kinda of creamy, dreamy downbeats pursued by Move D and Jonah Sharp