Leftfield jazz-fusion standard bearers Max D (Dolo Percussion) & Matt Papich (Co La) chase their PAN sides and ones for the former’s Future Times with more of that special sauce on their debut for Peak Oil.
Feauring guest input by Jordan GCZ and Motion Graphics blended in their own disjointed timelines and dislocated geographies using CDJs-as-instruments and steering wheels for polymetric navigation, Max & Matt follow from the more crisply defined geometries of previous into more smudged and asymmetric psychoacoustic space in their trip from the lysergic licks of ‘All Right’, thru the spannered ECMisms of ‘Open Door’, to a properly dreamy highlight in the vaulted atmospheres of ‘The Latecomer’, to tongue-tip-dancing chord changes like Tortoise meets Paddy McAloon in the blissed closer ‘Gris Pink’.
“The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.”
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Leftfield jazz-fusion standard bearers Max D (Dolo Percussion) & Matt Papich (Co La) chase their PAN sides and ones for the former’s Future Times with more of that special sauce on their debut for Peak Oil.
Feauring guest input by Jordan GCZ and Motion Graphics blended in their own disjointed timelines and dislocated geographies using CDJs-as-instruments and steering wheels for polymetric navigation, Max & Matt follow from the more crisply defined geometries of previous into more smudged and asymmetric psychoacoustic space in their trip from the lysergic licks of ‘All Right’, thru the spannered ECMisms of ‘Open Door’, to a properly dreamy highlight in the vaulted atmospheres of ‘The Latecomer’, to tongue-tip-dancing chord changes like Tortoise meets Paddy McAloon in the blissed closer ‘Gris Pink’.
“The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.”
Leftfield jazz-fusion standard bearers Max D (Dolo Percussion) & Matt Papich (Co La) chase their PAN sides and ones for the former’s Future Times with more of that special sauce on their debut for Peak Oil.
Feauring guest input by Jordan GCZ and Motion Graphics blended in their own disjointed timelines and dislocated geographies using CDJs-as-instruments and steering wheels for polymetric navigation, Max & Matt follow from the more crisply defined geometries of previous into more smudged and asymmetric psychoacoustic space in their trip from the lysergic licks of ‘All Right’, thru the spannered ECMisms of ‘Open Door’, to a properly dreamy highlight in the vaulted atmospheres of ‘The Latecomer’, to tongue-tip-dancing chord changes like Tortoise meets Paddy McAloon in the blissed closer ‘Gris Pink’.
“The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.”
Leftfield jazz-fusion standard bearers Max D (Dolo Percussion) & Matt Papich (Co La) chase their PAN sides and ones for the former’s Future Times with more of that special sauce on their debut for Peak Oil.
Feauring guest input by Jordan GCZ and Motion Graphics blended in their own disjointed timelines and dislocated geographies using CDJs-as-instruments and steering wheels for polymetric navigation, Max & Matt follow from the more crisply defined geometries of previous into more smudged and asymmetric psychoacoustic space in their trip from the lysergic licks of ‘All Right’, thru the spannered ECMisms of ‘Open Door’, to a properly dreamy highlight in the vaulted atmospheres of ‘The Latecomer’, to tongue-tip-dancing chord changes like Tortoise meets Paddy McAloon in the blissed closer ‘Gris Pink’.
“The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.”
Edition of 300, full colour sleeve with double sided colour insert, plus a download.
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Leftfield jazz-fusion standard bearers Max D (Dolo Percussion) & Matt Papich (Co La) chase their PAN sides and ones for the former’s Future Times with more of that special sauce on their debut for Peak Oil.
Feauring guest input by Jordan GCZ and Motion Graphics blended in their own disjointed timelines and dislocated geographies using CDJs-as-instruments and steering wheels for polymetric navigation, Max & Matt follow from the more crisply defined geometries of previous into more smudged and asymmetric psychoacoustic space in their trip from the lysergic licks of ‘All Right’, thru the spannered ECMisms of ‘Open Door’, to a properly dreamy highlight in the vaulted atmospheres of ‘The Latecomer’, to tongue-tip-dancing chord changes like Tortoise meets Paddy McAloon in the blissed closer ‘Gris Pink’.
“The core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.
Across fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.”