Their third album, ‘Treasure’ also debuts Simon Raymonde on bass and finds the band scaling new heights in the most emotionally raw way imaginable. Impossible to overstate just how influential and well loved this album is - from the quietly anthemic Pandora (For Cindy) - probably played in every bedroom by every teenager in 1984, to the sublime 'Beatrix' and 'Otterley' - tracks that were played on Autechre’s Disengage Kiss FM show in the early 90’s and which gave us our first introduction to one of the most magical and timeless albums ever made.
"The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, Treasure. Produced by Robin Guthrie and featuring tracks ‘Lorelei’, ‘Ivo’ and ‘Persephone’, Treasure is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”
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Their third album, ‘Treasure’ also debuts Simon Raymonde on bass and finds the band scaling new heights in the most emotionally raw way imaginable. Impossible to overstate just how influential and well loved this album is - from the quietly anthemic Pandora (For Cindy) - probably played in every bedroom by every teenager in 1984, to the sublime 'Beatrix' and 'Otterley' - tracks that were played on Autechre’s Disengage Kiss FM show in the early 90’s and which gave us our first introduction to one of the most magical and timeless albums ever made.
"The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, Treasure. Produced by Robin Guthrie and featuring tracks ‘Lorelei’, ‘Ivo’ and ‘Persephone’, Treasure is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”
Their third album, ‘Treasure’ also debuts Simon Raymonde on bass and finds the band scaling new heights in the most emotionally raw way imaginable. Impossible to overstate just how influential and well loved this album is - from the quietly anthemic Pandora (For Cindy) - probably played in every bedroom by every teenager in 1984, to the sublime 'Beatrix' and 'Otterley' - tracks that were played on Autechre’s Disengage Kiss FM show in the early 90’s and which gave us our first introduction to one of the most magical and timeless albums ever made.
"The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, Treasure. Produced by Robin Guthrie and featuring tracks ‘Lorelei’, ‘Ivo’ and ‘Persephone’, Treasure is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”
Their third album, ‘Treasure’ also debuts Simon Raymonde on bass and finds the band scaling new heights in the most emotionally raw way imaginable. Impossible to overstate just how influential and well loved this album is - from the quietly anthemic Pandora (For Cindy) - probably played in every bedroom by every teenager in 1984, to the sublime 'Beatrix' and 'Otterley' - tracks that were played on Autechre’s Disengage Kiss FM show in the early 90’s and which gave us our first introduction to one of the most magical and timeless albums ever made.
"The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, Treasure. Produced by Robin Guthrie and featuring tracks ‘Lorelei’, ‘Ivo’ and ‘Persephone’, Treasure is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”
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Their third album, ‘Treasure’ also debuts Simon Raymonde on bass and finds the band scaling new heights in the most emotionally raw way imaginable. Impossible to overstate just how influential and well loved this album is - from the quietly anthemic Pandora (For Cindy) - probably played in every bedroom by every teenager in 1984, to the sublime 'Beatrix' and 'Otterley' - tracks that were played on Autechre’s Disengage Kiss FM show in the early 90’s and which gave us our first introduction to one of the most magical and timeless albums ever made.
"The band returned to being a trio in 1984 with guitarist Simon Raymonde joining their ranks in time for third album, Treasure. Produced by Robin Guthrie and featuring tracks ‘Lorelei’, ‘Ivo’ and ‘Persephone’, Treasure is often celebrated as one of the band’s finest works. As Pitchfork put it when including the album in their Top 100 Albums of the 1980s, “Treasure was titled simply enough. An adjective for the endlessly inventive melodic lines you'd find buried in these songs, and a verb for what you'd do with them for years to come.”