Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.
View more
Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.
Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.
Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.
140g black vinyl 2LP housed in artworked inners in a gatefold sleeve.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.
Gatefold softpak CD.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Lo-fi house survivor Ross From Friends returns with an album of plasticky gauzetronica that takes the half-remembered essence UK garage, funky house, post dubstep and breakbeat and breathes it into tracks that make Four Tet and Bicep sound like Merzbow.
'Tread' isn't going to win any awards for originality. Every sound on the record, from opener 'The Daisy's slippery 2-step to 'Morning Sun In A Dusty Room's gossamer ambience feels as if it's been picked out by a music supervisor for the BBC's youth programming. It's impeccably produced music - aided by Ross From Friends' custom-made Max for Live patch - but in rooting itself so firmly in the past, says absolutely nothing about the present.
'Tread' is escapist music - and it's true we all wanna escape the post-Brexit rainy racist nightmare of modern Britain - but it runs away from its responsibility to be more than elevator music for bored middle management stooges.